Before Lynne Ramsey, there was composer Lorne Balve, for Lorne was the very first guest on soundtracking live as part of the British Film Institute's big thrill season back in November.

We then went on to speak to Lynn at the Glasgow Film Festival with Alex Garland, Jeff Barrow and Ben Salisbury to come soon following a great chat we had after a special screening of annihilation

at the Everyman Cinema in Hampstead in London. I'm Edith Bowman and you're listening to

Soundtracking, the Screen Music Podcast in partnership with the EE BAFTAs. Now the list of films

that Lorne has worked on is mighty impressive from Dunkirk and the Lego Batman movie to Geo Storm.

We'll hear examples from all of these films throughout the course of the conversation.

He's also produced excellent work for television with genius and the crown amongst his credits.

But we begin, as we did on the BFI stage with a little medley of his compositions.

The The

The The The No, No, and

No, Ladies and gentlemen, please put your hands together and thrilled to welcome, Lauren Balf.

I kind of feel we should have had you coming on the last 10 seconds of that, so you kind of arrived at the dun dun.

Rubbed the ego.

Thank you for being here.

Thank you for inviting me.

There is so much to talk about because you are so accomplished across, as I mentioned, not just film but TV and the gaming world as well, and huge productions.

But I wanted to know when and what it was that made you realise that composing and being part of that side of filmmaking you wanted to be part of.

Well, I was always around music.

My father was a songwriter.

We had a recording studio, a residential recording studio.

So I was always brought up with Ozzy Osbourne, living there and recording.

Bad influence, an early age.

...