Club Shay Shay - Hitmaka Part 1
Club Shay Shay
Shay Shay Media & Playmaker
4.8 • 7.5K Ratings
🗓️ 11 February 2026
⏱️ 103 minutes
🧾️ Download transcript
Summary
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Hitmaka joins Club Shay Shay for a wide-ranging conversation that traces his journey from Chicago prodigy to Grammy Award–winning super producer. With over 100 million records sold, billions of streams, platinum plaques, and diamond records as both an artist and producer, Hitmaka reflects on becoming one of the most influential hitmakers shaping today’s sound.
The Chicago native breaks down why the city continues to produce superstars and shares his thoughts on longevity in the music industry. He reacts to recent headlines surrounding G Herbo, reflects on collaborating with King Von and Lil Durk, and opens up about Durk’s current prison situation. He also discusses working with Kanye Wesxt early in his career and what he sees as the biggest difference between the Kanye of the 2000s and today.
Hitmaka shares personal stories about growing up with well off parents and how their divorce shifted his path toward the streets. He details being signed away and mistreated at a young age, eventually landing a deal with DMX at just 14 years old, and later being sent to a controversial military boarding school. From there, he recounts moving to Los Angeles as a teenager, starting as Young Berg—and launching his rap career.
He revisits the success of “Sexy Can I” with Ray J, being bailed out of jail by Shaquille O’Neal, and the pressures of being a teen star. Hitmaka opens up about financial mistakes, getting robbed for his chain, Soulja Boy ending up with it, and the tragic death of PnB Rock. He explains why he stopped rapping, issues with record deals, and lessons learned from public moments involving Jeezy, Gucci Mane, and T-Pain.
The conversation dives deep into his rebrand from Young Berg to Hitmaka and how he rebuilt his career into one of the most in-demand producers in hip-hop and R&B. He shares studio stories and insights. He discusses winning a Grammy, ghostwriting, producer percentages, clearing samples, charging for beats, cease-and-desist letters, and which records made him the most money.
Hitmaka also speaks candidly about Love & Hip Hop, dating in the industry, past beef with Bow Wow, and the dangers of mixing business with relationships. He addresses being set up and robbed, why therapy changed his life, and what he’s learned about accountability and growth.
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Transcript
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| 0:00.0 | You still got Chris Brown over Usher? |
| 0:02.0 | What? |
| 0:03.0 | Of course. |
| 0:04.0 | Pause that too. |
| 0:06.0 | I don't like that. |
| 0:08.0 | There you go. |
| 0:10.0 | All my life, been grinding on my life, sacrifice. |
| 0:14.0 | Hustle paid the price, want to slice, got the roll of dice, that's why all my life. |
| 0:19.0 | I've been grinding on my life, look, all my life,'s why all my life. I be grinding all my life. All my life. Been grinding all my life. Sacrifice. Pustle paid the price. Want a slice. Got the roll a dice. That's why. All my life. I've been grinding all my life. Hello. Welcome to another episode of Club Shethe. I am your host, Shannon Sharp. I'm also the |
| 0:38.7 | proprietor of Club Shaysay. Stopping by for conversation and a drink today, he sold over 100 million |
| 0:43.6 | records and has billions of streams. He's an award-winning, highly sought-after super producer, a Grammy |
| 0:48.6 | award-winning songwriter, a multi-platinum selling rapper, a creator of anthems, a chart-topping |
| 0:53.3 | artist, an industry veteran, a multi-talented musician, versatile star, and an executive extraordinaire. He's gone diamond as an artist and a producer, a pivotal figure in shaping today's music scene with soundtracks of our lives. He has the Midas Touch. Here he is, ladies and gentlemen, hip maker. What's up, bro? I'll see you, huh? Man, thank you. How you doing? Man, I'm blessed, man. Thanks for having me. So I always ask my guest this, when you hear the accolades that I read off in such a short time, what goes through your mind? Well, when I first heard it, I'd be like, damn, I sold 250 million records. Not just a 100. But man, just the journey, man. I think that a lot of people skip over the journey and don't really appreciate the journey. And I'm going to be honest. At times I did it myself because when you sew boots on around and just going and going and going, you're going take time to reflect. then shit, look at me now. And I ain't, all them accolades, I ain't got no kids, no wife, no nothing. So shit, it's time to figure it out. Well, let's go ahead and toast. That's coming. I mean, you've had all the success, you mentioned, $250 million a record sold, all the billions of billions of streams. And now, because you got |
| 2:02.0 | caught up so caught up in it, and people that get caught up in their careers, they understand |
| 2:06.7 | exactly what you're talking about. So who, bro? Cheers, my brother. I know what you think. I've been |
| 2:14.0 | waiting to get that shay-shay. It's smooth. Yeah, yeah, yeah. It's smooth. |
| 2:20.0 | You're from Chicago. |
| 2:20.4 | Yeah. |
| 2:34.1 | What is it about Chicago? Why many of you guys from Chicago? I think it's because, like, the environment, you know what I'm saying? It kind of builds you to be, like, tough. And then deeper than that, for me, it's just more so like, we didn't have a way out. |
| 2:36.9 | People, like, I'm older now, so I'm about to be 40. |
| 3:26.2 | So everybody else, like the younger guys, they don't see it like that because it's the Chief Keyes, the Little Dirk's, the Jehobos, whatever. But when I was coming out, it was literally common, twister, do-a-die, psycho drama, crucial conflict, and Kanye. That was it. So it was like, you didn't have an opportunity to be like, man, like, if I was in New York, I would sit outside the death jam building 24-7 and wait for Jay-Z to come out and rap for him and shit like that. Like, that ain't really the opportunity. So I just think the music, it's a real musical city, though. I mean, I gonna be honest, like my next door neighbor, like for a while was buddy guy, you know? Really? Yeah. Okay. So, like, the music is in the city and it's just on us. Like, it's a real soulful town. So I think that that's where it really come from. What do you think's been the key to your longevity? The work. Like I love the work bro like i don't like to do nothing like people this around the time a grammy's and that thing i'm nominated for gramees for |
| 3:30.8 | other producers that i work with in situations but i hate partying i hate phony kicking it i'm not |
... |
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