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Welcome to the bookcase.

It is our fourth edition of the classics edition of the bookcase.

So I feel like we shouldn't start with our catchy tune. We should start with like violin or like, you know, some sort of a string quartet that's, you know, the pretentious music.

You pull up a chair. It's time for the masterpiece collection with Kate Gibson and...

Charlie Gibson. Yes. That's me. That's me. I was going to throw to you eventually. I thought you'd be expecting it, but whatever. Well, I was thinking the way you introduced it, that Alistair Cook should be sitting in a chair with masterpiece theater. But that's so long ago. I'm not sure anybody remembers it. Well, and neither one of us owns a cravat and neither one of us

owns a pipe. But anyway, welcome to the fourth classics edition of the bookcase. I'm really excited to

be doing Invisible Man by Ralph Ellison, which I hadn't read. How long it had been since you read it?

Oh, Lordy. Probably further back than you are old.

I think I probably read it before. Oh, I know I read it before you were born. I read it in college

and was very, very impressed by it, although it's a tough read. It's one of those books, I think,

that a lot of people think they have read or know the basic outline of it and actually haven't read it.

And it's worth reading, certainly worth reading. It was written in 195. He started it in

1945, Ellison did, and it was unique at the time. It won the National Book Award in

1953, beating out Hemingway and Faulkner. But it was different. You know, nobody had written that

kind of book before. This was before Taisi Coates. This was before Tony Morrison. It was before so

many black writers who were prominent today of James McBride. It was before all that. It was

...