I think people that have an ability to appreciate art and music and film and stories.

There's some people in the world that, like, they never make anything themselves, but they're

amazing culture vultures and they read everything, and they're racially consumed things because they think it's just brilliant and it's about life and they discuss it and they get all

into it and they talk about how it pushes forward arguments about what we should do about things

politically or how we should live or how do you cure things or makes them laugh like those people

that are the appreciators and the audiences are vital to all of us moving forward in the world and in art.

And it's like at the moment that bit where we all get to come together is missing and it's like, oh my God, I'm absolutely dying for it because I'm nothing without them but they have nothing to go to

if we don't get up in the morning and get out the pen and paper and write the shite before we write the good stuff

that's the small talk now let's go down to business now your program what's the big Well, they're going to know the Irish much better.

We've now got to know how largely their mind works.

I moved over here and immediately I had to up my game.

I could not have done the job I did for quite a number of years in Ireland.

I had to go in there in my living in England.

I think a lot of it's in my hair. I think there's a lot of Ireland in here. I had to go in there in my living in England. I think a lot of it's in my hair.

I think there's a lot of Ireland in here.

I had an artist up for you.

20 years after an Irishman couldn't get a fucking job,

we had the presidency.

It was some heightened awareness of how hard my tribe had had it in London.

No blacks, no Irish, no dogs.

Never has a nation so small inspired so much in London. No blacks, no Irish, no dogs. Never has a nation so small inspired so much

in another. So you could say there's always been a little green behind the red, white and blue.

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