Chuck D on How Hip-Hop Changed the World
The New Yorker Radio Hour
WNYC Studios and The New Yorker
4.2 • 6.2K Ratings
🗓️ 10 February 2023
⏱️ 29 minutes
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| 0:00.0 | This is The New Yorker Radio Hour, a co-production of WNYC Studios and The New Yorker. |
| 0:09.6 | This is The New Yorker Radio Hour. I'm David Remnick. |
| 0:13.5 | Staff writer Kelif Asane covers a lot of subjects for us. |
| 0:17.2 | He writes about politics and sports and music, a lot of music. Recently, he met up with a |
| 0:23.5 | legendary figure in hip-hop, the frontman, an MC of Public Enemy, Chuck D. So I met Chuck D for the |
| 0:31.7 | first time at this bar called the Ivy Lounge in Manhattan. It was empty. It was during the day. They |
| 0:36.9 | had cleared it out for us. And, |
| 0:38.5 | you know, I think I was expecting a slightly more stern person than the guy who walked in. |
| 0:44.7 | Hi, how you doing? I'm Kay. Hey, Kay. How you doing? Good to see you again. I've seen you someone. |
| 0:49.4 | You see me? Yeah, maybe, yeah. I'm so excited to sit down with you. I go for you. |
| 0:57.0 | Like a lot of people, I saw the Fight the Power video from 1989 directed by Spike Lee. |
| 1:02.0 | You know, Chuck D and Flav and the other members of Public Enemy leading a march through Brooklyn. |
| 1:11.2 | So Chuck D was 26 when the first Public Enemy album comes out. |
| 1:15.6 | And almost from the beginning, he seemed like an elder statesman. |
| 1:19.2 | He seemed like a big brother. |
| 1:26.6 | And he has this new documentary called Fight the Power, |
| 1:30.3 | How Hip Hop Changed the World. |
| 1:32.4 | You know, it's all about the connections between hip hop and the world around it, |
| 1:36.6 | the culture around it, the politics around it. |
| 1:39.7 | The ingenuity of DJ Cool Herk was the spark |
| 1:43.3 | that ignited this beautiful art form called hip hop. |
| 1:48.1 | When I listen to Public Enemy Now, I hear it as protest music in a double sense. I hear it as protest music against, you know, the state of the world, but also that there's an internal protest, a sense that public enemy is protesting what's going on with hip-hop. |
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