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🗓️ 27 June 2025
⏱️ 5 minutes
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How did we get here, and what do we do now?
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0:00.0 | Welcome to Breakpoint, a daily look at an ever-changing culture through the lens of unchanging truth. |
0:05.4 | For the Colson Center, I'm John Stone Street. |
0:09.3 | In the film Master and Commander, Russell Crow's character, Captain Aubrey, |
0:13.1 | describing a new piece of technology, says, what a fascinating modern age we live in. |
0:18.4 | The joke works, given the film setting in 1803, which is at the beginning |
0:22.4 | of the modern age. This time of technological advances, which seem to come quickly and often |
0:27.6 | pave the way for our current cultural moment, and it struggle with the very concept of truth. |
0:33.6 | Most historians identify 1789 as the beginning of modernism, with the storming of the Bastille and the French Revolution, |
0:40.3 | and the end of modernism, 200 years later, with the fall of the Berlin Wall and the end of communism. |
0:45.8 | The era in between featured a great and growing faith in human ingenuity. |
0:50.3 | Confidence was high that given enough time, effort, and advances in technology, science, and productivity, |
0:56.4 | most of the problems that plagued humanity could be solved. |
0:59.8 | In short, the modern age was defined by utopianism and hubris. |
1:03.9 | Though the solutions offered varied greatly, there was a shared certainty that the solution would be found. |
1:10.2 | But that confidence collapsed in the face of ongoing wars that were fueled by industrialization |
1:14.9 | and destructive ideologies such as nationalism, scientific racism, and communism. |
1:20.0 | The combined bloodshed unleashed in the 20th century alone was on a scale unprecedented in human history. |
1:26.5 | In the end, the Soviet gulags, the Nazi concentration camps, and the threat of global nuclear destruction turned modern optimism into despair. |
1:35.7 | And few explained this whole turn of events as well as the late Christian thinker Francis Schaefer. |
1:40.1 | In the How Should We Then Live film series, Schaefer showed how art and literature had abandoned |
1:45.0 | the pursuit of beauty and transcendence for what he called fragmentation. Modern optimism was devolving |
1:50.7 | into a postmodern hopelessness, and confidence in the truth waned. Postmodern philosophers |
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