5 • 884 Ratings
🗓️ 18 November 2022
⏱️ 62 minutes
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0:00.0 | A lot of public art, in particular a lot of the murals in Anchorage, a lot of them are |
0:18.7 | not local and most of them are not by people of color or representing people of color. |
0:26.5 | There are some that are representing, that are depicting indigenous people, but it's not |
0:35.0 | painted by an indigenous person or inclusive indigenous people. And I'm not here to beat up on any |
0:44.0 | any other artist, but there's a definite lack of representation of indigenous people. |
0:51.0 | And it's really important that we're given a space to tell our story. This is our story. This is |
0:59.7 | our art. And this is our land. We should have a right to be the ones to tell our story. And so |
1:09.0 | when I say, indigenizing a space, indigenizing, I mean giving a platform for indigenous artists to |
1:16.4 | step up and start creating and telling our own story. That was artist Crystal Whirl, and she's |
1:23.6 | fresh off of two big projects, a mural in downtown Anchorage and a commission for Google. |
1:29.7 | The mural depicts and applies traditional Alaska Native traditions and symbols. The |
1:34.8 | formline art of the clink it, Highta and Simchan for example, it's 120 feet long, the longest |
1:41.4 | thing she's ever designed. The Google skin titled primary Ravens depicts Ravens, which represent |
1:48.0 | the creator and are always playing tricks. What she likes most about these pieces is that they're |
1:53.4 | public. They don't belong to just one person. They belong to the communities that they were made for. |
1:59.1 | So anyone has access to them. Both designs utilize traditional and modern techniques, |
2:06.0 | something Crystal makes a point of combining in her work, and they're part of a larger idea to |
2:10.6 | indigenize public spaces. Crystal says that having her murals displayed downtown is significant, |
2:17.4 | because that's where people come together. It's where locals hang out, do business, have dinner, |
2:23.0 | and it's where visitors are often introduced to Alaska. In many ways, art helps us understand a city, |
2:29.4 | the land, and the history of both. She says that the art of formline can help us understand the |
2:35.2 | future of Alaska. It can help us visualize and plan for the future of a state that reflects our |
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