5 • 884 Ratings
🗓️ 24 October 2022
⏱️ 76 minutes
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0:00.0 | I often think about if my ancestors were trying to come to this country today, they couldn't. |
0:18.4 | They just couldn't. |
0:20.0 | It wouldn't have been possible. |
0:21.9 | We brought them over for cheap labor. |
0:24.8 | That still happens to some degree. |
0:26.6 | It's just hard. |
0:28.2 | It's really, really hard now. |
0:32.2 | So I am just always feeling lucky that through my birth, I inherited so much and I want to |
0:40.6 | give that back to people who are trying to get here or trying to make a better life or |
0:45.1 | just trying to exist. |
0:47.3 | That was Melissa Camera. |
0:48.9 | She creates mixed media paintings and installations that are research-based investigations into species |
0:54.3 | extinction, globalization, and human migration. |
0:58.4 | Her portraits are fictional, but they're based on empirical fact. |
1:01.9 | She cometh through the public record of people's lives, collecting information to better understand |
1:06.2 | them beyond what DNA can tell us. |
1:09.1 | She includes elements and details of what she finds into her paintings. |
1:13.6 | She says that the Philippines are a confluence of so many tragedies, politically, economically, |
1:19.6 | and environmentally. |
1:21.2 | There's really no work for the people who aren't middle-class, so they move, they immigrate, |
1:26.4 | for opportunity, and to send money back to their family. |
1:30.0 | This is the story that Melissa is telling, the one she's trying to better understand, |
... |
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