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Crude Conversations

Chatter Marks EP 129 Branding the Arctic with Jeremie McGowan and Amund Sjolie Sveen

Crude Conversations

crudemag

Society & Culture

4.9152 Ratings

🗓️ 28 February 2026

⏱️ 75 minutes

🧾️ Download transcript

Summary

Jeremie McGowan is an artist, designer, and researcher. Amund Sjolie Sveen is an artist. And together, they created Real. Arctic., an exhibition that examines how the word “Arctic” is used in branding, institutions, geopolitics, and everyday consumer products — and how the use of that word shapes what we think we know about the arctic. Their work blurs the line between critique and commodity, asking who gets to define the Arctic, who profits from it, and what gets flattened in the process. Throughout the exhibition, the work shifts form — from displays of “Pure Arctic” deodorant to an expanding archive of Arctic-branded objects — asking viewers to reconsider what is real and what has been manufactured. It explores how art and design can both construct and unravel powerful narratives about place, and what responsibility comes with working inside those systems. Jeremie and Amund collect and document products from around the world that call themselves “Arctic,” or borrow the image, the light, or the myth of the Arctic to sell something. Even when those products have no connection to the place itself. Deodorants that promise Arctic purity, chewing gum that offers polar freshness, outdoor brands that are marketed around rugged endurance and masculine extremes. Again and again, the Arctic appears as clean, untouched, and invigorating — a blank canvas for refreshment or conquest. As Jeremie points out, much of that marketing is driven by an outsider fantasy: the idea that you’re the first, the only one to witness the wilderness or the Northern Lights, even as that experience is packaged and sold en masse. Amund says that the Arctic’s power as a word may lie in its perceived remoteness. Because it feels unknown, it can be filled with whatever we want it to mean. And in that process, the realities of the place itself and the people who live there often fall away and what remains is a brand. And then, beneath all of that, is a deeper question about power: who gets to define a place, and whose version of that place becomes the story that guides our understanding of it.

Transcript

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0:00.0

Yeah, I guess I would say that all those that stereotypes of like the pristine untouched wilderness and, you know, sort of untrodden snow, you're the first person to discover

0:23.5

all these like myths and stereotypes of discovery and finding and open expanses just available

0:30.1

for extraction, whether that's resource extraction or own personal extraction. I think that's

0:36.4

precisely what the marketing does just base on.

0:40.3

So it's sort of like it's all those sort of stereotypes of the artic,

0:44.3

and that's deeply entrenched culturally as well with the sort of, you know,

0:48.3

the eras of Arctic exploration and things.

0:50.3

So I think the sort of that, that outsider view of the Arctic is very much the one that drives a lot of marketing.

0:59.0

And then interestingly, I'm not, it's, we've got to point out as well that a lot of that marketing work is, or we've used the term,

1:08.0

almond came with this term, like the self-exaltification, right?

1:13.4

So it's not just outside stereotypes either.

1:16.5

A lot of people in the Arctic knowingly like promote these images and associations as well.

1:24.9

That was Jeremy McGowan.

1:27.4

He's an artist, designer, and researcher. Yeah. well. That was Jeremy McGowan.

1:31.0

He's an artist, designer, and researcher.

1:37.3

Also joining this conversation is artist Alman Shirley Sven.

1:47.1

Together, they created Real Arctic, an exhibition that examines how the word Arctic is used in branding,

1:55.3

institutions, geopolitics, and everyday consumer products, and how the use of that word shapes what we think we know about the Arctic. Their work blurs the line between critique and commodity, asking who gets to define the Arctic,

2:07.6

who profits from it, and what gets flattened in the process.

2:14.2

Throughout the exhibition, the work shifts form, from displays of pure Arctic deodorant to an expanding archive of Arctic branded objects, asking viewers to reconsider what is real and what has been manufactured.

2:31.5

It explores how art and design can both construct and unravel powerful narratives about place,

2:39.0

and what responsibility comes with working inside those systems.

...

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