Chatter Marks EP 118 Art rooted in activism with Nicholas Galanin

Crude Conversations

crudemag

Society & Culture

5 • 884 Ratings

🗓️ 16 September 2025

⏱️ 71 minutes

🔗️ Recording | iTunes | RSS

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Summary

Nicholas Galanin is a Tlingit and Unangax̂ artist and activist whose work includes sculpture, installation, music and performance — and it’s always in conversation with history, land and power. He creates art that honors Indigenous traditions and confronts the structures that have sought to erase them; it challenges colonial narratives while inviting reflection on language, identity and the legacy of removal. He says that art can be a driver of change, a way to shift perspectives and push systems toward accountability and transformation. Whether he’s calling out institutional inaction, reclaiming ancestral knowledge or amplifying a suppressed language, his work insists that Indigenous culture is not a relic of the past, it’s a living, evolving force for justice and transformation. Nicholas is also a musician, a collaborator in projects like Ya Tseen and Indian Agent. He talks about music as something fleeting but emotionally precise, capable of transmitting what words often can’t — that it’s a mindful practice rooted in listening, gratitude and presence. He describes the creative process as a kind of alchemy, where different skills and experiences come together in unexpected ways to produce something that transcends the moment. Be it through art or music, his work challenges artificial boundaries — between genres, between people and between past and future. He unravels divisions that are often rooted in systems of control rather than necessity, and makes room for something more fluid and expansive — something grounded in genuine connection, shaped by feeling and driven by the possibility of imagining a different way forward.

Transcript

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0:00.0	I find a lot of my work removes barriers and borders and boundaries and does so with intention because a lot of the boundaries are not real.
0:21.6	A lot of the borders and boundaries are constructs that are oftentimes not necessarily
0:26.6	placed in a space for any good reason other than to
0:31.6	oppress or to control.
0:35.6	That is also, you know, say the same with the colonial boundaries of borders on our
0:42.8	nations.
0:47.0	That was Nicholas Galanin.
0:49.9	He's a clinket and ununga artist and activist, whose work includes sculpture, installation, music, and performance, and it's always in conversation with history, land, and power.
1:07.0	He creates art that honors indigenous traditions and confronts the structures that have sought to erase them.
1:15.2	It challenges colonial narratives while inviting reflection on language, identity, and the legacy of removal.
1:23.6	He says that art can be a driver of change, a way to shift perspectives and push systems toward accountability and transformation.
1:35.7	Whether he's calling out institutional inaction, reclaiming ancestral knowledge, or amplifying a suppressed language. His work insists that indigenous
1:47.0	culture is not a relic of the past. It's a living, evolving force for justice and transformation.
1:59.0	Nicholas is also a musician, a collaborator in projects like Yatine and Indian agent.
2:06.3	He talks about music as something fleeting, but emotionally precise, capable of transmitting what words often can't,
2:16.9	that it's a mindful practice rooted in listening,
2:20.3	gratitude, and presence.
2:24.9	He describes the creative process as a kind of alchemy, where different skills and experiences
2:31.8	come together in unexpected ways to produce something that transcends the moment.
2:37.6	Be it through art or music, his work challenges artificial boundaries between genres, between people,
2:46.8	and between past and future.
2:50.8	He unravels divisions that are often rooted in systems of contrasting, and between past and future.
	...

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