9.6 • 42 Ratings
🗓️ 14 April 2022
⏱️ 49 minutes
🔗️ Recording | iTunes | RSS
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Following a visit to Chatsworth House, the stately home of the Duke and Duchess of Devonshire, Carol talks to Sash Giles, curator of decorative arts, about Chatsworth's extraordinary collection. Also Carol will talk to artist Tarka Kings about the jewellery she has created for the new Chatsworth exhibition Living With Art We Love, which runs until October 2022.
https://www.chatsworth.org/events/living-with-art-we-love/
This episode is brought to you by @fuligemstones
For more information, please see:Â www.carolwoolton.com
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Produced by Natasha Cowan @tashonfash
Music and editing by Tim Thornton @timwthornton
Creative direction by Scott Bentley @bentleycreative
Illustrations Jordi Labanda @jordilabanda
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0:00.0 | This episode is brought to you by Fully Gemstones. |
0:08.0 | Because the tiara's comparatively light and the honeysuckle motifs are like little fans |
0:15.0 | and they sit proud of the head and the backs open, it's a very wearable piece. |
0:20.0 | Whereas the palm and lotus is very heavy. It's a very wearable piece. Whereas the palm and lotus is very heavy. |
0:23.7 | It's a stonker. |
0:24.7 | Yeah. |
0:25.0 | I always mean to, I always mean to weigh it and I never get round to it. |
0:31.5 | Welcome to If Jewels Could Talk. |
0:33.9 | I'm Carol Walton, the voice of jewellery, an author, broadcaster, and the woman who initiated the role of jewelry editor at magazines like Tapler and British Vogue. |
0:44.3 | This is a podcast for everyone. For people who do like jewelry, for people who don't realize they like jewelry, and anyone intrigued by fascinating facts, new ideas and forgotten histories. |
0:57.1 | So please join me as I tell sparkly tales meeting all sorts of people delving into four |
1:03.4 | centuries of jewellery culture and investigate what's happening now. |
1:21.4 | First of all, if you could tell us a little bit about your role at Chatsworth as a curator and what that involves since it's been a family home since the 16th century. |
1:26.6 | It has, it has. |
1:27.6 | So I'm the curator of decorative arts, |
1:30.4 | and what that means at Chatsworth is that I look after the furniture, |
1:34.5 | the ceramics, the glass, the clocks, the metals, the ephemera, |
1:38.3 | but more excitingly for me, the jewels and the gems. |
1:41.6 | So how many things would that involve? |
1:46.8 | Like thousands? Yes, conservatively, |
1:53.9 | thousands. If you were to count every plate, every cup, every chair, I mean, you're in the tens of thousands, maybe hundreds, really, if you were going to really count everything. So it's a lot. |
1:59.7 | One of the things that I probably |
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