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🗓️ 7 November 2024
⏱️ 7 minutes
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Charlotte Perkins Gilman (1860-1935) wrote fiction and nonfiction works including several collections of poetry and her most famous short story, “The Yellow Wallpaper” (1892). Her poems address the issues of women’s suffrage and the injustices of women’s lives. She was also the author of Women and Economics (1898), Concerning Children (1900), The Home: Its Work and Influence (1903), Human Work (1904), and The Man-Made World; or, Our Androcentric Culture (1911). A prolific writer, she founded, wrote for, and edited The Forerunner, a journal published from 1909 to 1917. A utopian novel, Herland, was published in 1915.
-bio via Poetry Foundation
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0:00.0 | Welcome back to the Daily Poem, a podcast from Goldberry Studios. |
0:04.4 | I'm Sean Johnson, and today is Thursday, November 7th, 2024. |
0:09.9 | Today's poem is by Charlotte Perkins Gilman, and it's called A Common Inference. |
0:16.4 | I'll read it once, say a word or two about it, and then read it a second time. |
0:23.1 | A Common Inference. read it once, say a word or two about it, and then read it a second time. A common inference. |
0:34.8 | A night, mysterious, tender, quiet, deep. Heavy with flowers, full of life asleep. Thrilling with insect voices, thick with stars, no cloud between the dewdrops and red Mars, |
0:40.4 | the small earth whirling softly on her way, the moonbeams and the waterfalls at play, |
0:46.2 | a million, million worlds that move in peace, a million mighty laws that never cease, |
0:52.7 | and one small ant heap, hidden by small weeds, rich with eggs, |
0:57.0 | slaves, and a store of millet seeds. They sleep beneath the sod and trust in God. |
1:04.0 | A day. All-glorious, royal, blazing bright, heavy with flowers, full of life and light. Great fields of corn and sunshine, |
1:13.5 | courteous trees, snow-sainted mountains, earth-embracing seas, wide golden deserts, slender, silver streams, |
1:22.0 | clear rainbows where the tossing fountain gleams, and everywhere, in happiness and peace, |
1:28.1 | a million forms of life that never cease. |
1:31.8 | And one small ant heap, crushed by passing tread, |
1:35.6 | hath scarce enough alive to mourn the dead. |
1:38.7 | They shriek beneath the sod. |
1:40.7 | There is no God. |
1:44.8 | Charlotte Perkins Gilman, born 1860, died in 1935, is an intriguing figure. She's a member of the |
1:53.7 | famed Beecher family. She was also an early feminist and advocate for women's rights, |
2:00.2 | but also something of a eugenicist. |
2:03.3 | So her relationship to equality and equal rights is a complicated one, which could easily lead to a variety of readings of this poem, I think. |
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