From KCRW in Santa Monica and KCRW.com, I'm Kim Masters, and this is the business.

You listen, if you listen and learn, then you're going to be able to do anything you want next time.

Everybody thinks his own business, business really, really, all white life.

He doesn't clean, clean.

What's with him?

Oh, I'm afraid he's gone Hollywood.

This week on the business, Carson Daily.

He hosts the voice and the late night show, and every morning he's on the radio.

He tells us how he does it and how he's had to fight to keep his late night show going through turmoil and budget cuts.

But first, it's the Hollywood news banter. Stick around. It's the business from KCRW.

I can imagine Hollywood everything is really driven by making money.

What's with him?

I'm afraid he's gone to Hollywood, Hollywood.

I'm joined in the studio by my banter buddy, John Horn in the Los Angeles Times.

Hello, John.

Hello, Kim.

So John, a real kerfuffle, sort of an improbable kerfuffle, I would say, over this movie that has not yet started shooting, Kill Bin Laden.

Catherine Bigelow and Mark Boll, who were the director and writer of the Hurt Locker, had been working on this for a long

time, and all of a sudden, it's a bigger deal than you might think. Right-wing critics tend

to hate Hollywood, and they really tend to hate Hollywood when it's making a movie that they

think might be political.

And the movie isn't made and it's still being written.

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