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Bad Gays

Carl Van Vechten

Bad Gays

Huw Lemmey & Ben Miller

History

4.6842 Ratings

🗓️ 17 November 2020

⏱️ 58 minutes

🧾️ Download transcript

Summary

A man with a passion for the dangerous, subversive, and avant garde; who eschewed the middle brow and loved the urbane and modern. Known in his life not just as a man of taste, but a tastemaker, someone who set the tone for elite cultural society in his lifetime; the white author, critic and photographer Carl Van Vechten became enchanted with the Harlem Renaissance, approached Black cultures as a source of ideas that he could take and exploit, and perpetuated racist stereotypes in his work. Visit our website at badgayspod.com for an episode archive, T-shirts, and a link to our Patreon. ----more---- SOURCES: Bernard, Emily. Carl Van Vechten and the Harlem Renaissance: A Portrait in Black and White. 0 edition. Yale University Press, 2013. Holmes, David G. “Cross-Racial Voicing: Carl Van Vechten’s Imagination and the Search for an African American Ethos.” College English 68, no. 3 (2006): 291–307. https://doi.org/10.2307/25472153. Sanneh, Kelefa. “White Mischief.” The New Yorker, February 17, 2014. https://www.newyorker.com/magazine/2014/02/17/white-mischief-2. White, Edward. “The Making of an American.” The Paris Review (blog), May 14, 2014. https://www.theparisreview.org/blog/2014/05/14/the-making-of-an-american/. ———. The Tastemaker: Carl Van Vechten and the Birth of Modern America. 1st edition. New York: Farrar, Straus and Giroux, 2014. Woolner, Cookie. “‘Have We a New Sex Problem Here?’ Black Queer Women in the Early Great Migration.” Process: A Blog for American History (blog), October 24, 2017. http://www.processhistory.org/woolner-black-queer-women/.   Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

Transcript

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0:00.0

Hi and welcome to Season 4, Episode 5 of Bad Gays, a podcast about evil and complicated queers in history.

0:23.1

I'm Ben Miller, a writer, researcher, and member of the board of the Shulis Museum in Berlin.

0:28.1

And I'm Hugh Lem, a writer and author.

0:30.8

So last week we talked about Benjamin Britton, a significant mid-century British composer who combined homosexuality, communism, and pacifism

0:40.5

with entry into the very highest levels of British society, but also had a series of very

0:46.6

troubling relationships with adolescent boys. Who are we talking about this way, Q?

0:51.4

A few episodes ago, we discussed the life life of Liberace for whom delivering a sort of

0:56.5

comforting light and unchallenging form of popular classical music to the masses created for himself

1:01.9

vast wealth and allowed him to indulge his lifelong bad taste. Today's subject is perhaps the anti-liberarchy,

1:09.1

a man for whom the dangerous, subversive and avant-garde

1:11.9

was his passion, who eschewed the middle brow and loved the urbane and modernism.

1:17.4

He was known in his life not just as a man of taste, but as a taste-maker, somebody who set

1:21.6

the tone for elite cultural society in his lifetime.

1:24.6

He is the author, critic and photographer, Carl Van Wechton.

1:29.2

The society in which Van Wechton was raised was regarded as, I suppose, the moral bedrock of

1:34.4

Wasp America. He was born in Cedar Rapids, Iowa, to Charles Dwayne Van Wechden and Ada Amanda Vanvecton,

1:41.8

and his family were pillars of the Cedar Rapids community.

1:45.0

His father was a respected banker and insurance broker, a member of the Freemasons, and according

1:50.0

to his obituary, a benefactor of the home for the friendless, the art association, co-college

1:57.0

and the home for aged women. His mother, Ada Amanda, established the Cedar Rapids Public Library.

2:03.6

They attended the local Universalist Church and were close friends with a pastor, and they had three children.

2:08.6

Ralph, born in 1860, who became president of Cedar Rapids National Bank, and Emma born in 1867,

...

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