meta_pixel
Tapesearch Logo
Log in
The New Yorker: Fiction

Bryan Washington Reads Haruki Murakami

The New Yorker: Fiction

WNYC Studios and The New Yorker

Yorker, Wnyc, Literature, Books, New, Fiction, Arts

4.63.6K Ratings

🗓️ 1 June 2020

⏱️ 63 minutes

🧾️ Download transcript

Summary

Bryan Washington joins Deborah Treisman to read and discuss “U.F.O. in Kushiro,” by Haruki Murakami, which first appeared in a 2001 issue of the magazine and was then republished in 2011, after an earthquake and tsunami devastated northern Japan. Washington’s début story collection, “Lot,” was published last year, and his first novel, “Memorial,” will come out in October.

Transcript

Click on a timestamp to play from that location

0:00.0

This is the New Yorker Fiction Podcast from the New Yorker Magazine.

0:09.0

I'm Jeb Retricemon, fiction editor at The New Yorker.

0:12.0

Each month we invite a writer to choose a story from the magazine's archives to read and discuss.

0:17.0

This month we're going to hear UFO in Cushiro by Hurricane Maracami,

0:21.0

translated from the Japanese by J. Rubin,

0:24.0

which was published in The New Yorker in March of 2001.

0:27.0

Each article contains some new tragedy, but to Komodo, those tragedies registered as oddly lacking in depth.

0:33.0

The aftermath of the earthquake was like a distant monotonous echo to him.

0:37.0

The only thing he could give any serious thought to was his wife's drawing ever further away.

0:43.0

The story was chosen by Brian Washington, whose debut story collection Lot was published last year,

0:48.0

and whose first novel Memorial will come out in October.

0:52.0

Hi, Brian.

0:53.0

Hey, Deborah, how are you?

0:55.0

I'm all right.

0:57.0

Doing okay.

0:59.0

So we're here to talk about Maracami,

1:01.0

and I get the sense that he's been important to you as a writer.

1:05.0

Why is that?

1:06.0

I think that it's a question of timing on my end.

1:11.0

I didn't really grow up as voracious of a reader as a lot of my peers,

1:17.0

and I think that the authors and creators that I had first contact with end up

1:24.0

have an outsized influence on how I deform and structure,

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from WNYC Studios and The New Yorker, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of WNYC Studios and The New Yorker and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2025.