From KCRW Santa Monica and KCRW.com, it's The Treatment.

It's The Treatment. I'm Elvis Mitchell. There's a thrilling new documentary around that's using the technology generative AI,

which means you get a different version of the film every time you see it.

I think to see the same version, you would have to see it for as many years as my guest,

producer and performer Brian Eno has been in the business.

It's a fascinating film because it gives us a chance for me

to understand that he connects to the world

as much emotionally as, I think, cerebrally.

And, of course, we would expect such a film

to change itself from a man who's worked with ours

who've asked such questions as,

how did I get here?

Are we not men and Patty? Who's wearing Miranda's

clothes? I guess, of course, is the subject of the film Eno, which is shortlisted for the Academy Award.

Brian Eno. Brian, thank you so much for being here. Thank you very much, Elvis. I've always wanted to say

thank you very much, Elvis, to somebody. It happens to be you.

So, pleased to meet you.

That'll do for me.

And I have to ask you, what was your first conversation with Gary Hussworth like when you told you he wanted to do the film?

Because this strikes me as being the kind of thing you might shy away from.

Well, I had worked with Gary before. He made a film

about the German designer Dieter Rums, and he asked me if I would do music for that. So I did

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