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Chapo Trap House

Bonus: Will Interviews Kim Stanley Robinson with The Antifada

Chapo Trap House

Chapo Trap House

News

4.69.1K Ratings

🗓️ 21 March 2019

⏱️ 91 minutes

🧾️ Download transcript

Summary

Will guest-hosts on The Antifada to interview legendary sci fi author Kim Stanley Robinson about: Fredric Jameson, Ursula Le Guin, Philip K Dick, post-capitalist futures, utopia, and psychedelic experiences Listen to The Antifada: https://podtail.com/en/podcast/the-antifada/ Subscribe to The Antifada on Patreon: https://www.patreon.com/theantifada Follow The Antifada: https://twitter.com/the_antifada

Transcript

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0:00.0

Hello everybody, it's Will here to introduce some bonus chop-o content for you.

0:06.3

True, this is a re-up of an interview I did on another podcast, but gosh darn it, it's

0:11.5

one I liked so much, I hope you won't mind me sharing it with you again.

0:17.2

This is up there with the Adam Curtis interview for me in terms of how much I admire the

0:23.4

person I was talking to and how profound the things they said were.

0:29.2

It comes courtesy of a guest spot I did on the Antifada podcast with Jamie and Sean,

0:36.8

who were kind enough to let me sit in with them and interview one of my all-time favorite

0:40.8

writers, Kim Stanley Robinson.

0:43.8

Kim Stanley Robinson is a sci-fi author, probably best known for his Red Mars trilogy, which

0:49.4

follows the human colonization and terraforming of Mars over several hundred years.

0:55.2

These books are hard sci-fi, I would say, in that they take the science part seriously,

1:00.4

but unlike so many other similar authors, he also takes political economy seriously as

1:05.6

well.

1:06.8

As the old saying goes, it's easier for us to imagine the end of the world than the end

1:10.7

of capitalism, and for Stan and his books, they certainly do not take that easy way out.

1:17.2

And I think that's very important.

1:19.0

As you will hear in the interview, his books do not simply assume that the future will

1:23.1

inevitably be end up as some kind of mad-max scenario where we're all fucking killing

1:28.2

each other for gas or a can of dog food.

1:32.2

And this focus on dystopia is something that's very prevalent in popular culture right now.

1:38.2

And it's obviously something that I've used as a comedic device on the show, probably

1:43.8

countless times.

...

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