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Indiecast

"Bon Iver" 10th Anniversary, Plus: Lorde, Jimmy Eat World, Bo Burnham Blowback

Indiecast

UPROXX

Music, Indie Music, Music Commentary, Indie Rock

4.8602 Ratings

🗓️ 11 June 2021

⏱️ 62 minutes

🧾️ Download transcript

Summary

This month marks the tenth anniversary of Bon Iver’s self-titled sophomore album, which solidified Justin Vernon’s project as an indie rock powerhouse, and eventually earned him a handful of Grammys (see above). To celebrate ten years of this pivotal record, Steve and Ian are putting aside their opposing views on Bon Iver to spend an episode reflecting on the outfit’s catalogue and lasting impact.

In the decade since the release of Bon Iver, Justin Vernon has made a name for himself as one of the least predictable and most adventurous artists of recent memory, with a series of ultimate “grower” albums that end up shifting listeners’ tastes, that somehow exist in the same timeline as recent massive collaborations with Taylor Swift. This week, Steve and Ian discuss whether “Woods” is one of the most important indie rock songs of the 21st century, and how much Vernon’s association with Kanye actually accounts for his credibility in the indie world.

In this week’s Recommendation Corner, Steve is digging Australian indie-pop outfit The Goon Sax’s forthcoming LP Mirror II, while Ian is plugging Militarie Gun’s new EP All Roads Lead To The Gun.

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Transcript

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0:00.0

Indycast is presented by Uprox's Indy Mix tape.

0:13.3

Hello everyone and welcome to Indycast.

0:15.5

On this show, we talk about the biggest indie news of the week.

0:18.0

We review albums and we hash out trends.

0:20.5

In this episode, we will be looking at the music and career of Bon Iver. My name is Stephen Hayden, and I'm joined by my friend and co-host, Ian Cohen. Ian, how are you? So I'm just going to be real with our audience. Like, for the foreseeable future, this is where I'm going to talk about billions. I'm on season three. Apparently,

0:38.9

this is great. Yeah, so I'm about 60% of the way there. So sometime maybe in September we'll,

0:43.3

you know, be able to switch subjects. But I bring it up not just because it's just got the best

0:49.9

needle drops in the game. I've really been refamiliarizing myself with some of the classics of

0:54.4

mid-2010s indie rock. There's a scene where they go to a high concept strip club and

1:00.0

Mitzkees, your best American girl is playing. It's amazing. Yes. But, you know, more, I think the

1:06.2

bigger influence is the way that it's kind of gotten me to think about every interaction I have on a

1:12.7

daily basis. It's like a series of convoluted scheming. And so here, just hear me out with this.

1:20.6

So people are you like Paul Giamatti or are you Bobby Ascorrod, and so this is the question I need the audience to answer,

1:29.1

because if you're, uh, if you're a loyal Indycast listener, you remember last week that Steve

1:35.0

kind of floated the idea of which one of us is going to get canceled first. And then this week,

1:40.9

if you follow us on Twitter, which I assume is an Indycast listening, you probably do. I made some remarks about certain songs on Radiohead's Annesiac that I'm not a huge fan of. Oh, yeah. That's right. And so Steve put it out, hey, I'm looking for a new Indycast host, by the way. Ha, ha, ha. We all had a good laugh about it. And so... It might have been a joke.

2:01.6

And then you take those... It's unclear if it's a joke. You take those... I thought so, too. And then I saw today on our outline where we go over, you know, we go over what we're going to talk about. And Steve knows I'm going to be the first person to talk. The first thing you see is, should we talk about Lord's album cover?

2:21.9

And so this is, you play, you, you play in a trap.

2:24.2

You picked the wrong time to play 4D chess with me.

2:28.3

You know, I'm going to take a Brian Coppelman type line here and say, I guess I'm Paul

2:32.4

J. and I'm Bobby Fisher in the Matrix. You know,

2:35.1

just one of these very, very elaborate metaphors they use on this show. So I'm on, I'm on to you.

...

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