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Tetragrammaton with Rick Rubin

Bjarke Ingels (Part 1)

Tetragrammaton with Rick Rubin

Rick Rubin

Society & Culture, Arts, Philosophy

4.6908 Ratings

🗓️ 20 November 2024

⏱️ 133 minutes

🧾️ Download transcript

Summary

Bjarke Ingels is one of the world’s leading architects as the founder and creative director of renowned architecture firm Bjarke Ingels Group (BIG). Recognized for his innovative approach to sustainable and futuristic design, Ingels has led transformative projects worldwide, including the Suzhou Museum of Contemporary Art in China and groundbreaking urban plans like The Dryline in New York. A partner in multiple ventures, he co-founded Nabr, a consumer-first housing company, and collaborated with Lonestar Data Holdings to create the Freedom Payload—a solar-powered, 3D-printed data center designed to store data on the Moon. Named one of Time magazine’s 100 Most Influential People in 2016, Ingels is renowned for pushing the boundaries of architecture to address global challenges, blending art, technology, and practicality to shape the future of urban living and sustainable development. ------ Thank you to the sponsors that fuel our podcast and our team: LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ Vivo Barefoot http://vivobarefoot.com/tetra Use code 'TETRA25' ------ House of Macadamias https://www.houseofmacadamias.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

Transcript

Click on a timestamp to play from that location

0:00.0

Tetragrammaton

0:02.0

Architecture is the art and science of creating the framework for the life that we want to live.

0:31.6

And I think a beautiful way to understand design and architecture is the Danish word, the

0:40.3

original Danish word for design is form giovanni, which literally means form giving.

0:48.3

Because to design something is to give form to that which has not yet been given form.

0:57.3

In other words, to give form to the future, because when you are designing a space or a building

1:05.5

or an object, you're giving form to the world, like at least a corner of the world,

1:12.6

that you would like to find yourself living in in the future.

1:16.6

And I think once you start thinking about that,

1:19.6

then design is liberated from the association with, you know,

1:24.6

style, fashion, and it becomes much more about the fundamentals of what kind of a life is it we want to live and how do we accommodate it? How do we give it form? How do we create the framework around it?

1:39.3

Interesting in your definition, it doesn't really include the building part of it.

1:45.0

It's more the imagination of what it could be.

1:49.0

Yeah, but of course, like at the end of the day, architecture is a discipline incredibly

1:55.0

sort of bounded by the parameters of reality, including gravity and, you know, regulation and budget, just to name a few.

2:06.8

So in that sense, of course, to get from fiction to fact, to turn your vision into reality,

2:15.3

you have to have an understanding and even an appreciation

2:18.9

and a love for the parameters that end up constituting your problems as well as your

2:27.9

possibilities. So you can say like the fabric of reality are the ingredients that you have to work with.

2:36.3

But it's important that ultimately the tectonics of building the building is really the tool with which you end up creating the world that you want to live in.

2:54.7

Like there was a moment, for instance, like in the 16th and 70s where architecture

2:59.6

devolved into what was called in Denmark, crane track modernism.

...

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