meta_pixel
Tapesearch Logo
Log in
Cannonball with Wesley Morris

Beyoncé vs. Adele? No Contest | Episode 14

Cannonball with Wesley Morris

The New York Times

News, News Commentary, Arts, Society & Culture

4.79.4K Ratings

🗓️ 8 December 2016

⏱️ 41 minutes

🧾️ Download transcript

Summary

Good news: Jenna’s back! And in the wake of this week’s Grammy nominations, she’s here to say that no matter how desperate the internet may be for a Beyoncé and Adele rivalry, it’s just not a competition. Next, New York Times tech reporter Mike Isaac helps explain what Facebook’s attempt to enter China means for the service and our lives. Finally, we help a listener solve a holiday gift dilemma.

Transcript

Click on a timestamp to play from that location

0:00.0

So do you want to talk about Gilmore Girls?

0:02.0

I don't want to talk about that show.

0:04.0

I'm Wesley Morris.

0:08.0

I'm Jenna Werthum and this is still processing.

0:13.0

Kamanetia, some I live from the New York Times newsroom.

0:17.0

I'm live.

0:18.0

You look live.

0:19.0

I feel alive.

0:20.0

I feel alive.

0:21.0

Apparently I don't look live.

0:22.0

Apparently what I look like is the person going to job interview.

0:25.0

You look a substitute teacher but it's working for you.

0:27.0

It's working for you.

0:28.0

When the original dis was delivered, it was not a substitute teacher.

0:33.0

I was going to apply for a job at a prep school.

0:36.0

Well that's the same thing.

0:38.0

More or less.

0:39.0

I think every prep school teacher in America just fell over dead.

0:43.0

So thanks for killing them off.

0:46.0

So what I love about this tone that we're coming in with,

0:49.0

because it's very hunger gamesy, which is basically how we feel about the Grammy nominations.

0:54.0

It is like Gully.

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from The New York Times, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of The New York Times and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2026.