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0:00.0 | You are a human animal. |
0:07.0 | You are a very special breed |
0:11.0 | for you are the only animal. |
0:15.0 | Who can think, who can reason, who can read. |
0:18.0 | Hi, this is Michael Sulfuratt, and welcome to Bookworm. |
0:21.6 | Today, I'm extremely honored and delighted to have as my guest, Betty Comden, the author most recently of a memoir called Offstage. |
0:31.6 | It's published by Simon & Schuster. |
0:33.9 | You know, I've never done a show of this sort before. |
0:39.7 | My listeners know that the only people they've heard on Bookworm are authors of literary fiction and modern poetry. But Betty Comden, |
0:47.8 | to my mind, along with her partner, in Alf Green, wrote some of the wittiest and funniest and most American lyrics that were |
0:58.3 | ever heard on the musical stage. The great thing about Betty Comden and Adolf Green to my mind |
1:05.4 | was that they wrote about working Americans from the middle classes who suddenly and operatically would give |
1:14.5 | birth to their deepest, most sudden emotions. These sounds began in On the Town with sailors on |
1:21.5 | leave, one of whom is pursuing a girl whose face he sees in a subway ad. |
1:34.0 | Judy Holliday in Bells are ringing played the role of a switchboard operator at an answering service, Suzanne Sophone. |
1:36.4 | Rosalind Russell was a Midwestern journalist hitting the big city in wonderful town. |
1:42.6 | And poor Phil Silvers, Hubert Cram and Doree Me, |
1:48.1 | well, he should have gone into his wife's father's dry cleaning business, but he had better |
1:53.9 | things in mind. In these wonderful musicals and these characters, are you writing autobiographies of your sudden appearance |
2:04.7 | into the world of theater? |
2:07.3 | Our autobiography? |
2:08.7 | I don't think we ever thought of it that way. |
... |
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