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🗓️ 17 April 2025
⏱️ 34 minutes
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An unknown narrator describes his ferry ride across a river in Russia to attend an Easter Eve service at a Russian Church. This story offers a great example of Chekhov's ability to create powerful imagery as well as carry a compelling narrative.
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0:00.0 | The |
0:07.0 | The Welcome back, everyone to one thousand one classic short stories and tales. |
0:33.3 | This is your host, John Hagadorn. |
0:35.9 | I thought it might be appropriate as we celebrate Easter to give you an Anton Chekhov story titled |
0:41.4 | Easter Eve. |
0:42.8 | There is no real drama here, and it's not really an Easter story, but it is an excellent |
0:47.6 | example of what a great writer Anton Chekhov was. |
0:51.5 | He gives us an unknown narrator who has to take a ferry across a river to get to the |
0:56.3 | church, where Easter Eve is being observed, with great joy, by the way. There is a bunch of |
1:02.2 | symbolism here, beginning with the ferryman who has recently lost a friend in the church, and is |
1:07.9 | described by Chekhov almost as a mystic, reminded it to the mythological figure |
1:13.3 | Sharon, who ferries the souls of the dead across the river sticks. In addition to symbolism, |
1:19.8 | Chekhov's use of light and dark imagery will be evident to you as you can picture in your mind |
1:25.4 | the scene as witnessed from the fairy and even place yourself |
1:28.6 | as the narrator. It's a skillfully written short story and one to be remembered, not for its action |
1:35.6 | or any special twist, but for its rich imagery. Then now, Easter Eve by Anton Chekhov. I was standing on the bank of the river Goltva, waiting for |
1:48.1 | the ferry boat from the other side. At ordinary times, the Goltpha is a humble stream of |
1:54.0 | moderate size, silent and pensive, gently glimmering from behind thick reeds, but now a regular lake lay stretched out before me. |
2:03.8 | The waters of spring, running riot, had overflowed both banks and flooded both sides of the river for a long distance, |
2:11.9 | submerging vegetable gardens, hayfields, and marshes, so that it was no unusual thing to meet poplars and bushes sticking out above the surface of the water, |
2:21.3 | and looking in the darkness like grim, solitary crags. The weather seemed to me magnificent. It was dark, |
2:30.4 | yet I could see the trees, the water, and the people. |
... |
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