4.4 • 13.7K Ratings
🗓️ 18 April 2004
⏱️ 35 minutes
🧾️ Download transcript
Sue Lawley's castaway this week is Britain's most popular writer of historical fiction Bernard Cornwell. His work has sold more than five million copies in nine languages. His most famous character is the rifleman Richard Sharpe - an embittered, slightly villainous career soldier whose fortunes are followed through the late 18th century and early 19th. Cornwell's journey to writing was a long one. He was born in 1944 the illegitimate son of an English woman and Canadian airman. His mother was forced to give him up for adoption when he was a few weeks old and, after a short spell in an orphanage, he was brought up by an Essex couple who were members of the religious group The Peculiar People.
He trained first to be a teacher and then joined the BBC as a researcher on Nationwide. He had a successful career in television but, when he met the woman he wanted to marry, he had to leave it all to join her in America. Refused a Green Card, he reassured her that he would support them both by writing historical novels - an ambition he'd held for years but had yet to realize. On the strength of the first book, he was offered a contract for an entire series and, eventually, his character Richard Sharpe was brought to life by Sean Bean.
[Taken from the original programme material for this archive edition of Desert Island Discs]
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0:00.0 | Hello, I'm Kirstie Young, and this is a podcast from the Desert Island Discs archive. |
0:05.0 | For rights reasons, we've had to shorten the music. |
0:08.0 | The program was originally broadcast in 2004, and the presenter was Sue Lolly. My castaway this week is a writer in a series of highly popular and scrupulously researched |
0:35.3 | historical novels, he tells the story of an English soldier in the Napoleonic Wars. |
0:40.3 | His hero, Richard Sharp, has risen from the ranks and serves under Wellington in India, Spain, |
0:45.6 | and of course at Waterloo. |
0:47.6 | Sharp's Creator has experienced a life that sounds as though it comes from a novel, the |
0:51.9 | illegitimate son of a wartime romance, |
0:54.2 | he was adopted and brought up by religious fundamentalists who banned television, medicine, |
0:59.4 | and fun from the house. |
1:01.0 | He rebelled, became a television producer and then left for America |
1:04.4 | with the woman he'd married on the promise that he'd provide for them both by writing and |
1:08.5 | that's exactly what he's done. I'm a storyteller not a historian he says it's not the most difficult thing to do |
1:15.2 | he is Bernard Cornwall not difficult Bernard if you have the ability to write but what you have to do is spot the gap in the market for fictionalized military |
1:23.7 | history I dare say. |
1:24.7 | I guess that's true. |
1:26.6 | I mean years and years ago I read all the Hombler when I'd finished Hombler there's no more to read |
1:30.5 | I mean see as far as to tragically only wrote 11. |
1:33.3 | So I went off and found the non-fiction histories and through those I discovered these amazing stories |
1:38.0 | about Wellington's Army and I haunted the bookshops thinking somebody must write this series Hornblower on dry land and of |
1:44.4 | course nobody did and then I thought well why don't you do it? But why the |
1:48.6 | fascination with Wellington where had that begun and when? I think that the fascination came totally off hornblower and that in turn goes right back to my adopted parents |
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