Next time on Dear Alice, what strikes that balance of like old and new to you when you're

working on a project in each space? Yeah, absolutely. I mean I think when you're thinking about constructing your room, thinking about

silhouettes in terms of the lines of your sofa, the silhouettes of your lighting, Each of those tells a story.

So if you're pairing, for example,

a very traditional English roll-arm sofa

with a very classic bell jar light fixture, you're leaning in towards a very traditional territory.

So how do you, you know, when you think of like Ian and Young, like having that tension,

tension is what makes things interesting, whether it's in fashion or in art or in our case in interior so when you have things like that setting it off a little bit whether it's a contemporary photograph of photography or artwork of some kind or a really hyper-modern late fixture just pairing things that wouldn't 100% you would think would go together but feeling comfortable enough to take the risk to say hey I'm going to mix something that feels out of genre is sort of how you get that layered, accumulated, this came together

over time look versus something that can sometimes feel like you went into a store and bought,

you know, whatever was on the floor,

which is also totally fine.

Yeah, fair.

Yeah. Yeah.

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