4.5 • 2.1K Ratings
🗓️ 24 January 2022
⏱️ 32 minutes
🧾️ Download transcript
Ayşegül Savaş reads her story “Long Distance,” from the January 31, 2022, issue of the magazine. Savaş’s first novel, “Walking on the Ceiling,” was published in 2019, and her second novel, “White on White,” came out last year.
Click on a timestamp to play from that location
0:00.0 | This is The Writer's Voice, new fiction from The New Yorker. |
0:09.4 | I'm Debra Treesman, fiction editor at The New Yorker. |
0:13.1 | On this episode of The Writer's Voice, we'll hear Aisha Ghul-Savush, read her story |
0:17.3 | long distance from the January 31st, 2022 issue of the magazine. |
0:23.2 | Savush's first novel, Walking on the Sealing, was published in 2019, and her second novel, |
0:28.8 | White on White, came out last year. |
0:32.0 | Now here's Aisha Ghul-Savush. |
0:43.0 | Long distance. |
0:45.8 | Leah changed the sheets when she got up. |
0:48.8 | She'd bought flowers the previous day, tulips that she'd put on the dresser. |
0:53.4 | There were carnations on the kitchen table in a squat glass vase. |
0:57.6 | She thought they looked cheerful and not too fussy. |
1:01.2 | The fridge was filled with more things than they would be able to eat. |
1:05.1 | Olive's jams, prosciutto, cheeses. |
1:08.2 | She bought wine and beer, cookies, breads, the round tarali crackers that were common |
1:12.8 | in Roman cafes. |
1:15.0 | She didn't think they'd be staying home very much. |
1:17.4 | There were so many places she wanted to take Leo, but she hadn't mind a scene of the |
1:21.8 | two of them eating in bed. |
1:24.2 | Did people really do that? |
1:26.1 | It seemed as though there'd be too much mess, nowhere to put your plate. |
1:30.4 | Still she liked the idea. |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from WNYC Studios and The New Yorker, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of WNYC Studios and The New Yorker and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.