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The Vergecast

Auto-Tune always and forever

The Vergecast

Vox Media Podcast Network

News, Tech News, Technology

4.44.1K Ratings

🗓️ 10 November 2024

⏱️ 63 minutes

🧾️ Download transcript

Summary

For the second episode in our three-part miniseries about the future of music, Charlie Harding, a music journalist and co-host of the Switched on Pop podcast, joins the show to tell the story of Auto-Tune. He walks us through how a simple plugin became such a recognizable sound in music, why both artists and fans gravitated to the Auto-Tune sound, and why Auto-Tune has continued to grow even through backlash in the music business. Then we look ahead to AI, and try to figure out what — if any — lessons we might be able to learn about the sound and culture of the AI era to come. Further reading: Charlie Harding on X Switched on Pop From Pitchfork: How Auto-Tune Revolutionized the Sound of Popular Music From Rick Beato: How Auto-Tune DESTROYED Popular Music From Gabi Belle: The Problem with Autotune on TikTok Email us at [email protected] or call us at 866-VERGE11, we love hearing from you. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0

Welcome to the Vergecast, the flagship podcast of the difference between reverb and Dverb.

0:08.1

I'm your friend David Pierce, and I have decided that I am going to relearn how to play the guitar.

0:13.0

So I have this guitar that sits behind me on all of my meetings and all of my podcast recordings.

0:17.7

And so people are often like, oh, that's cool.

0:19.3

Do you play guitar?

0:20.2

What's your favorite song? Do you know Time of your life by Green Day? Like all this stuff. And the answer is I don't

0:24.8

really play. I used to. I played a lot when I was a kid for a long time. I was actually pretty

0:28.6

good at it. But so I just quit.

0:39.2

Bad choice in retrospect, but like I was 12. What are you going to do? But now I have this guitar

0:44.2

and I've decided I'm going to remember how to play it. So I got this app, musician, that people

0:49.2

really recommend and I really like so far. It just sits here on the iPad and it tells me what to

0:53.9

play and it actually uses the microphone to see just sits here on the iPad and it tells me what to play,

0:54.2

and it actually uses the microphone to see if I'm playing it correctly and gives you this

0:58.5

sort of dynamic feedback as you go. It's not as good as having like a person to teach me,

1:03.0

but I can do it in my basement. So I'm calling it a victory. So far, I have learned basically

1:08.1

that this is a C chord and not much else. But you know, it's progress.

1:14.3

We're doing it one day at a time. Anyway, that is not what we're here to talk about. This is the

1:19.3

second episode in our miniseries all about the future of music. Last week, we talked to Jack

1:24.3

Coim about track star and basically music content and how we as

1:28.4

fans discover new music and how musicians discover new fans and be in the world.

1:34.7

This week, we're talking about a technology that I think you could argue is the single most

1:39.3

important thing that has happened to music in the last two decades.

...

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