On this episode of Quantum Week, August 21st through 27, 1989.

Quantum Week. Welcome to Quantum Week. I'm Matt. I'm Chris. Quantum Week is a show in which Chris and I leap into a random week of a random year. We talk about movies, music, headlines, our stories. And we are in late August, 1989, with Batman and right here waiting for, right here waiting by Richard Marks. Great. Do we have anything off the top or do you want to get into Batman? Good, right into Batman. Okay.

Oh, shit.

I was going to get kicked around for this.

I hope so.

Yeah.

I'm assuming that's that sigh.

Yeah, yeah, yeah.

This is, okay, so there's a lot of stuff I do really like about it, but it's also disappointing.

And it really clears up for me, I mean, I knew this before, but the Nolan Batman trilogy is so awesome.

And I think it's vastly superior to this.

So I think that this is B, like I recommend this movie.

You should see it. There's tons of awesome stuff about it.

But there's some really big problems that I had.

And maybe even more so than Superman, I think.

I know you love this movie.

And I love, this is tough for me because I love Batman.

I love Burton.

I love Keaton.

I love Nicholson.

The score is, you can make the case. This is the best score that's ever been written.

It is a phenomenal score.

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