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0:00.0 | BBC Sounds, Music, Radio, Podcasts. |
0:05.0 | Thanks for downloading this episode of In Our Time. |
0:07.6 | There's a reading list to go with it on our website and you can get news about our |
0:11.0 | programs if you follow us on Twitter at BBC In Our Time. |
0:14.9 | I hope you enjoyed the programs. |
0:16.9 | Hello, WHO, 1907-1973, was a poet of Englishness in crisis of threat and fear in the 1930s, |
0:24.1 | which he called a low dishonest decade. |
0:27.2 | The son of a doctor and a missionary nurse, he was drawn to diagnose his country's sickness |
0:31.6 | and humanity's weaknesses, informed by his travels through the by-marb, Berlin, the Spanish |
0:36.6 | Civil War and the Sino-Japanese War. |
0:39.7 | It was also a decade he spent searching for romantic love, leading to his relationship |
0:43.4 | with Chester Carmen and American poet, for whom he moved to New York as the war he'd |
0:47.8 | expected began. |
0:48.8 | We'd be to discuss ordnance and his poetry in the 1930s. |
0:53.0 | Janet Matapurre, Professor Emeritor of 20th Century English Literature at the University |
0:57.2 | of Kent. |
0:58.2 | Jerry Minotod, Senior Lecturer in Literature and Creative Writing at the University of |
1:02.4 | East Anglia and Mark Ford, Poet and Professor of English at the University College London |
1:06.9 | and Mark Ford, what distinguished ordnance early does? |
1:11.7 | You mentioned that his father was a doctor and I think that's a kind of crucial aspect |
1:15.6 | of what gets called the ordnance and that is this diagnosis, again a phrase that you |
1:21.6 | used which his early poetry presents of England, somehow what he called this country where |
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