4.4 • 873 Ratings
🗓️ 27 August 2019
⏱️ 55 minutes
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0:00.0 | Hey everybody welcome to the creative processing |
0:08.0 | podcast my name is Joe Gordon Levitt the idea this show is to have a |
0:11.6 | conversation about the creative process. |
0:14.7 | That conversation starts with a question. |
0:17.4 | New question every episode. |
0:18.6 | That question comes from you out there asking those good questions on the internet and then I find a guest |
0:24.1 | someone who I think would be really good at answering that question and we talk about |
0:28.4 | it for an hour or so or less or more this, my guest is the artist Shepard Ferry. He's probably most known |
0:38.2 | for the Hope Obama poster with that incredible kind of graphic treatment. |
0:44.4 | You also might know him for the Andre the Giant Has a Posse Obey campaign, which you've probably seen in any number of contexts. |
0:55.0 | If you've ever spent any time in any American metropolis, |
1:00.0 | you've probably seen it stenciled on to various or stickered onto various signs or |
1:04.8 | street corners. I grew up looking at it and always being like what what is |
1:09.2 | that until I learned like oh it's it's subversive art but I think Shepard is going to be |
1:17.9 | really good at answering this week's question. The question is from Shishuraj Carmelkar, from Mumbai, India. |
1:25.0 | I'm sure I'm not pronouncing that perfectly, but I don't want to try to do a Hindi accent and fuck it up. |
1:32.0 | The question is, how do you wrestle with a statement that |
1:36.3 | artists are selfish since they're off worrying about their art and not devoting more |
1:42.2 | energy to political rebellion in troubled times. |
1:47.0 | This is definitely something I personally think about a lot. |
1:52.0 | We're all, I think think perhaps more politically focused in the last |
1:55.2 | few years as things have become increasingly politically polarizing. But even |
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