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The Treatment

Arianne Phillips: Kingsman-The Secret Service

The Treatment

KCRW

Arts

4.6639 Ratings

🗓️ 11 February 2015

⏱️ 29 minutes

🧾️ Download transcript

Summary

Costume designer Arianne Phillips goes from working with Madonna to designing a Savile Row-inspired menswear line for Mr. Porter.

Transcript

Click on a timestamp to play from that location

0:00.0

From KCRW Santa Monica and KCRW.com, it's The Treatment.

0:14.8

I'm Elvis Mitchell.

0:16.1

I'm sitting across on someone who got her start working with Madonna and work with her on two films swept away in her directorial debut, W.E.

0:23.0

She was with James Mango five times, including on Girl Interruder, which basically set the new standard for coats for women.

0:29.9

Her current film, first collaboration with director Matthew Vaughn, is an adaptation of The Secret Service, the comic.

0:36.3

The film is called Kingsman, the Secret Service. I'm

0:38.1

seeing, of course, from Arian Phillips. Thanks so much for being here, first of all.

0:42.1

Thank you so much for having me. It's a dream coming true, to be honest. Well, you need more

0:46.6

dreams. That's all I have to say about that. But let me ask you, first, I mean, I've said this

0:51.2

before where we did a conversation last year at the LA Film Festival.

1:14.1

You have a really interesting eye for, I think, outerwear. And I noticed that in Angeline Jolie's coat, and The Girl Interrupted, and the beautiful jacket that Ben Foster wears in 310 to Yuma, which is a pretty astonishing leather jacket that made me want a coat from a Western for the first time in my life.

1:18.0

Talk about that the way you start from the outside. I mean, that's really interesting.

1:24.9

It's an interesting observation. I mean, to be honest, you're the first person to ever acknowledge that and actually made me think about it.

1:32.9

It's not purposeful. I think that as a designer, as a costume designer, my job is to create characters and part of the storytelling process.

1:37.3

You know, what tells you more about a person, a character on the screen than what they're

1:43.2

wearing?

1:43.5

It sets the time, the place, it underscores the vibe.

1:47.0

And I also believe that costumes are kind of a be-me-up machine, if you will.

1:52.0

There's a visceral quality that a costume can help an actor inhabit to access that character.

1:59.0

Lawrence Olivier said famously, he started with his character

2:03.3

from the shoes up, and I take that really seriously, and it was very inspiring. So I guess with

2:09.8

that said, I, you know, one of the first things as in design for me is silhouette and color.

...

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