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The New Yorker: Fiction

Anne Enright Reads John McGahern

The New Yorker: Fiction

WNYC Studios and The New Yorker

Yorker, Wnyc, Literature, Books, New, Fiction, Arts

4.63.6K Ratings

🗓️ 1 February 2025

⏱️ 70 minutes

🧾️ Download transcript

Summary

Anne Enright joins Deborah Treisman to read and discuss “Sierra Leone,” by John McGahern, which was published in The New Yorker in 1977. Enright, a winner of the Carnegie Medal for Excellence in Fiction and the Man Booker Prize, among others, has published eleven books of fiction, including the story collection “Yesterday’s Weather” and the novels “Actress” and “The Wren, The Wren.” She has been publishing fiction in The New Yorker since 2000.

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Transcript

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0:00.0

This is the New Yorker fiction podcast from The New Yorker magazine.

0:10.3

I'm Deborah Treesman, fiction editor at The New Yorker.

0:13.4

Each month, we invite a writer to choose a story from the magazine's archives to read and discuss.

0:18.6

This month, we're going to hear Sierra Leone by John McGarren,

0:22.3

which appeared in The New Yorker in August of 1977. The story was chosen by Anne Enright,

0:28.3

who's the author of three story collections and eight novels, including The Gathering,

0:32.5

which won the Man Booker Prize, and The Ren, the Ren. Hi, Anne. Hi, how are you, Deborah? Good, welcome. Let's start with

0:41.4

why you wanted to read a story by John McGarran today. Yeah, John McGarron is a great Irish writer.

0:47.6

And if you don't know who he is, he is the Irish writer's Irish writer. He is the one that we all

0:54.0

read, argue with in our heads, admire,

1:00.0

approach, you know, get annoyed with the whole nine yards. He, this story is from 1977,

1:10.4

so it's mid McGarhern.

1:12.2

His early and his later work was set in the Irish countryside where he found great solace

1:17.0

and difficulty.

1:18.6

But this is set in the middle.

1:20.7

He's just kind of working things out.

1:22.3

He just gets an enormous feeling of the sincerity of his intention and the way he's

1:27.4

working on life.

1:29.6

So it is, as you said, this is mid-career.

1:31.9

The story came out when McGarron was 42, so not early in his career, not late.

1:38.6

Do you see it as standing out from the later work or the earlier work being different in tone or style?

1:47.1

So the middle work are set between Dublin and the countryside. The early work is set in the

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