3.6 • 1.5K Ratings
🗓️ 19 January 2024
⏱️ 57 minutes
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0:00.0 | Welcome to the New York Times Pop Gas, your Peach Vibe packs Loved era of music news and criticism. |
0:09.8 | I am your host, John Cara Monica. |
0:12.6 | Extra ordinary. |
0:15.6 | Time has come to take a power. |
0:19.6 | We're here to set the clock to hear and now. |
0:27.0 | We COVID down in the early days of 2024, but we are down, but we are not out. We are not out. |
0:35.0 | Our hearts are with you John. |
0:37.0 | That's right. |
0:38.0 | First of all, there's no way that we could get through 2023, |
0:40.0 | which also includes the first couple of weeks in 2024 as you all know without going over the year in jazz |
0:45.9 | Gia Rousnello and is here Marcus Moore is here both write about jazz in New York Times |
0:50.9 | Bienvenu fellas |
0:53.0 | FC what's going, how you doing? |
0:54.6 | I hope you are saying virus-free in this new year. |
0:57.8 | The only virus that we have is jazz. |
1:00.5 | That's the only, that's the only jam. |
1:02.0 | That's the only thing I want to catch today that I don't already have. |
1:05.0 | At the beginning of the show we were listening to something from the most recent |
1:09.6 | Michelle and Deocello record. That album is called The Omnichord Real Book and that song was called The Omicord Real Book and that song was called |
1:14.6 | ASR it features Jeff Parker. Michelle is one of several folks that we're going to |
1:18.7 | talk about this week on the episode going over Best in Live, going over some great albums, some interesting |
1:26.7 | parts of the jazz world where a lot of actions happening. |
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