Amuse ush, doh,

doh, umuse toh,

Amuse toh, um us to, uh,

Amuse to,

...

... The uh, the fucking, the thing that I think is so weird about it, right? Is that like literally, okay, so, so, if Maryland

Monroe was like an actual person, which I think objectively she was or whatever the nor whatever you know

You know then then you take the you lift off this icon layer and it's like the icon of the 50s is like pin up girl like

down for anything stupid blonde big, like fucking great ass.

She got a great ass!

Yeah.

And you go, okay, so in the 50s,

if you were to make a movie that only treated her as an icon you would get like a happy

go lucky dumb blonde with big tits right here who was like very pretty right and then like in the 60s and

70s if you were to make that movie like maybe you would make it about like the

old fashion like the like the old fashionfashioned 50s and their idea of what a real hot woman was or something, you know, but like now like our icon treatment of women or like of a beautiful woman or let's just you know like

a shapely bod dacious buzzumy blonde right is just like our way of making her an icon is to just like have her get

like sort of raped over and over and over again and like be sad. Like so it is just our weird it is very accurate it as a archive of the fact that like you

still got a Weinstein looking Australian pig man getting this huge budget.

You're still... I'm sounding so... I really don't want to sound the way I'm sounding, I want to be funny.

This is a muse douche.

But like, our iconization of women is still just all about them

...