All About Diminished Chords
You'll Hear It: Full Album Deep Dives with Jazz Musicians
Peter Martin
4.9 • 774 Ratings
🗓️ 13 October 2020
⏱️ 20 minutes
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| 0:00.0 | M2J what's up says smash the like button from Baghdad Iraq. That's what I'm talking about. |
| 0:19.1 | Worldwide. You know what I'm saying? Big shout out to Baghdad. |
| 0:22.2 | And yeah, |
| 0:23.1 | hit that like button. |
| 0:23.8 | It's not going to hurt you. It's not going to hurt you. It helps us spread the love. Pay it forward, right? Now, this is going to be good because I think only I can put the comments on. We need to get this over to you next week. but uh no you got it go and tell me you put you put some comments on you got to read them |
| 0:20.1 | before you do because i'm i'm at a bit of a delay here. |
| 0:40.3 | Okay, got you. |
| 0:42.0 | Okay, here we go. |
| 0:42.9 | So now we're getting into the meat of the situation. |
| 0:46.6 | Janet asks, please, can you talk about the different uses of diminished chords? |
| 0:50.6 | When are they really dominant seven flat nine chords and when are they not? Oh. |
| 0:59.5 | So I think that they're diminished when the root. So what I'm playing here is G7, just kind of a |
| 1:08.1 | crappy root position situation, right? |
| 1:17.0 | Route 7357, flat 9. |
| 1:19.4 | So that's a flat 9. |
| 1:23.4 | When you put the root on B, that's it diminished, right? |
| 1:24.6 | Yeah. |
| 1:25.4 | Yeah. No, yeah, I think we talked about this. Just trying to remember what we've said about this. Yeah, it's the same, it's the same thing, right? So this, right, if I, if I have B, D, F, and A flat, right, B diminished, and I just put this G way down low, just as you were doing. |
| 1:46.7 | These are the same thing. They actually function a lot in the same way. Like this goes to C minor. |
| 1:53.5 | Yeah. And this goes to C minor. |
| 1:56.4 | Man, your voices are as crappy as mine today. |
| 1:59.8 | Well, yeah, I'm not Fred Hershing it. |
... |
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