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Bookworm

Alan Lightman

Bookworm

KCRW

Arts

4.5606 Ratings

🗓️ 23 March 1996

⏱️ 26 minutes

🧾️ Download transcript

Summary

Good Benito; Einstein's Dreams Lightman discusses loneliness: the curse of the scientist and the rest of us, as well.

Transcript

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0:00.0

You are a human animal.

0:07.6

You are a very special breed,

0:11.6

for you are the only animal.

0:15.0

Who can think, who can reason, who can read.

0:18.3

Hi, this is Michael Silverbladden.

0:20.0

Welcome to Bookworm.

0:21.3

Today, my guest is Alan Lightman.

0:24.1

He's the author of three books, two of which are recently available in paperback, Einstein's

0:30.8

Dreams, a novel, Good Benito, also a novel, both of them available from Warner's, and then a collection of, a selection

0:40.8

of his previous essays called Dance for Two. It's from Pantheon books, available soon

0:49.5

in hardcover. I wanted to begin by asking you, there is a tradition in fiction of people from science

1:01.9

going over to literature or people in literature pulling from science to inspire

1:10.7

usually formal concerns, although not always.

1:14.6

H.G. Wells would be struck by certain possibilities in the history of time. But I wondered what it was in your background that led you, as a physicist, teaching at MIT, to the writing of not science, but scientific fiction.

1:33.5

I can say that I have always been interested in literature from a young age.

1:39.9

And in fact, when I was in high school, I wrote poetry as well as built rockets.

1:50.4

And I always had the double interests. I knew of a few scientists who had later become writers,

1:59.5

but I knew of no writers who later became scientists.

2:03.1

So I thought that I should get myself well-established in science first and then indulge my

2:10.8

literary interest. Although I never consciously had a plan, I guess subconsciously I realized that sooner or later I would write fiction, but I approached it gradually.

2:25.5

I first began writing essays about science. The essay is a very flexible art form.

2:39.2

You can be informative, you can be personal,

...

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