Hello and welcome to the AEW Collision preview. I'm Adam Wilborn from WhatCulture joined by one of the

Deadly Boys, Michael Sidduick from WhatCulture to look ahead to this weekend's episode of AEW Collision.

But before we get into it, if you're a fan of this sort of thing, make sure you subscribe to WhatCulture

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for daily wrestling podcasts, where we're not only review AEW Collision, but also AEW Dynamite,

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we have interviews, round table discussions, and a round of the week complete, with a lot of

your quiz, of course, on WrestleCulture. As I said, join by Sidduick to look ahead to Collision

this weekend, and another stacked show. It does look stacked. I'm warming to Collision.

It was a jarring welcome at the same time change of pace. The first two episodes set the tone

for what it was, if not getting you on the edge of your seat. It's very meat and potatoes

wrestling. There's a wild angle, the sense of energy is just not there, but that's good. I'm really

warming too. The meat and potatoes sit down, watched some great, rugged, mostly understated,

simple pro wrestling. It's ferocious at times on the dreaded solid, but also it's often so

wonderfully worked. Like something like that, Christian Suplex to Jarby Darby, when he was just

not having it, not having it, not having it, and then got the inside cradle. Like the sense of

struggle, the craftsmanship, like it's really nice, and I believe one of our wonderful loyal long-term

listeners, Fraser Craneum, said that, is it just me or is it a certain lovely warmth to Collision,

a sense of routine where you can just sit down, watch it, and it's very pleasant? I agree with that.

I think it's a great take, if it's not you Fraser, somebody else, I'm sorry.

He likes his warm Fraser, so that's what I thought I was him. I agree. I like to watch this show

on an evening, because it's like, Collision, some grown-up, doesn't feel like work, some grown-up,

...