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Bullseye with Jesse Thorn

Adrian Tomine

Bullseye with Jesse Thorn

Jesse Thorn

Society & Culture

4.52.6K Ratings

🗓️ 13 September 2008

⏱️ 18 minutes

🧾️ Download transcript

Summary

Comics artist Adrian Tomine is the creator of the series Optic Nerve. His most recent book is "Shortcomings."

Transcript

Click on a timestamp to play from that location

0:00.0

Hi I'm Andrew from Elkins Park, Pennsylvania. The Sound of Young America is an independent

0:05.5

production supported by listeners like you and me. If you'd like to donate to support

0:09.8

the show, visit maximumfund.org and click on donate.

0:13.9

Live on tape from my house in Los Angeles, I'm Jesse Thorn and this is the Sound of Young

0:18.6

America from MaximumFund.org.

0:21.2

It's the Sound of Young America, I'm Jesse Thorn. As you probably already know a couple

0:46.7

of weeks ago we were in Seattle for the Bumber Shoot Music and Arts Festival. We had

0:50.9

a really fantastic time and over the next couple of weeks we'll be rolling out some

0:55.4

of the material we recorded live on stage there. In this podcast it's comics artist Adrian

1:01.2

Tomina. His critically acclaimed series Optic Nerve is known for its clean, beautiful

1:06.8

art and for its affecting portraits of young people's relationships and alienations.

1:13.2

Last year Tomina released the book length story shortcomings. It was one of the first pieces

1:18.6

of his work to address his identity as a Japanese American. Let's go to the stage of Bumber

1:24.5

Shoot in my conversation with Adrian Tomina.

1:27.5

Welcome to the show, Adrian. Thank you so much for being here. One of the things that

1:32.1

I was really interested in shortcomings and I thought was about as good a place to start

1:39.3

as Annie was the fact that you've recreated places in the book very directly, very literally.

1:49.3

I'm from the Bayaries, lived there many years and I recognized places in the book. Why did

1:59.3

you make that choice? Because I'm too lazy to be imaginative and invent things. That's

2:06.9

the honest answer really. I'm trying to create a realistic setting for the story. When I was

2:13.9

writing the book it was easier for me to come up with a dialogue and everything if I was

2:18.7

envisioning it in a place that I was familiar with. When it came to actually draw it I would

...

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