4.6 • 1.1K Ratings
🗓️ 4 March 2022
⏱️ 32 minutes
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Adam McKay is an Oscar-winning writer, director and comedian. He is the man behind a whole string of movies including Vice, The Big Short, Anchorman and Talladega Nights. His most recent film, Don’t Look Up, is a satirical movie about a comet hurtling toward Earth and is a metaphor for climate change, and has been nominated for four BAFTAs and four Oscars. It has also recorded the highest viewing in a week in Netflix history. Adam speaks to Krishnan about his fears for the future of our planet, if world leaders and fossil fuel companies fail to take proper action now. He also discusses the state of US politics, his ideas for his next movie and the possibility of working with Will Ferrell again. Produced by: Freya Pickford |
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0:00.0 | Hello and welcome to Ways to Change the World, I'm Krishnigeru Murphy and this is the |
0:08.0 | podcast in which we talk to extraordinary people about the big ideas in their lives and |
0:12.4 | the events that have helped shape them. |
0:14.4 | My guest this week is the director, comedian, writer and now perhaps activist Adam McKay. |
0:20.5 | He's the man behind the Netflix movie Don't Look Up and of course a whole string of |
0:24.8 | movies before that, vice the big shorts, a load of collaborations with Will Ferrell including |
0:30.4 | Ankeman and Taladega Knights. |
0:33.4 | I spoke to him about the climate crisis, climate is the one that just scares me to my |
0:39.0 | core, it just feels like a big shadow over all of us. |
0:44.6 | Backlash surrounding his latest movie and the state of US politics, they're doing nothing. |
0:50.3 | And I think by them doing nothing, they're fueling the extreme right. |
1:00.2 | Adam Yorker has changed quite substantially, hasn't it, from comedy and stand up and |
1:04.0 | writing to something akin to activism now. |
1:08.4 | Well yeah, I mean the funny thing about comedy is that you're always trying to stay in |
1:15.2 | touch with what's going on in the world. |
1:18.4 | So early on in my career I was working for SNL, Saturday at Live, the big sketch show |
1:24.4 | in the States and then I started doing those movies with Will, which you know they're |
1:29.4 | very silly movies but we were always riffing off of what was going on in culture. |
1:35.4 | And then at a certain point with the financial collapse it was like whoa, whoa, whoa, something |
1:40.5 | is going on here. |
1:42.7 | And all of the sudden all those old comic tropes, all those old riffs didn't really make |
1:50.5 | much sense. |
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