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The a16z Show

a16z Podcast: Building Worlds with VR, Art, and Narrative

The a16z Show

a16z

Software Eating The World, Technology, Innovation, Science, Disruption, Culture, Entrepreneurship, Business

4.21.2K Ratings

🗓️ 27 January 2017

⏱️ 39 minutes

🧾️ Download transcript

Summary

Once upon a time, Robert Stromberg got a phone call from "Jim" Cameron (aka James Francis Cameron of Terminator and Titanic fame) about a little project called Avatar. Before he knew it, he was responsible for designing the organic world of Pandora, ...

Transcript

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0:00.0

The content here is for informational purposes only, should not be taken as legal business, tax,

0:05.6

or investment advice, or be used to evaluate any investment or security and is not directed

0:10.3

at any investors or potential investors in any A16Z fund. For more details, please see A16Z.com

0:16.8

slash disclosures.

0:18.7

Hi, everyone. Welcome to the A6 and Z podcast.

0:21.3

I'm Sonal.

0:22.2

Today's episode is continuing our new medium storytelling series.

0:25.9

This episode in particular is focusing on virtual worlds and more broadly, filmmaking techniques

0:31.6

and the evolution of narrative.

0:33.4

Joining this conversation, we have two-time Academy Award winner Robert Stromberg. He won Oscars

0:38.7

for production design on Avatar and Alice in Wonderland. He was also the director of Disney's

0:44.1

Maleficent, and he directed the Martian VR experience, which received the Can Silver Lion Award.

0:50.2

Also joining this conversation, our deal-in-investing team partner Kyle Russell, an editorial partner Hannah Tidnam. But we began the conversation with Robert telling us about his career, which went from being a mat artist to visual effects to art direction to production, directing, and now co-founder of the virtual reality company, a studio for this new era. So we're really excited to have you. And I think what's really especially unique about your background is, A, the immense variety of things and the range of things that you've done,

1:14.6

but also because you bring such a unique perspective that sort of stitches it all together

1:17.8

from starting with your own career, which maybe we should start off as sort of your background

1:21.8

and how you sort of got here. It's been an extremely interesting ride. I seem to change careers about every five years,

1:29.1

it seems. But I started off my father was a low-budget filmmaker, and I grew up watching my dad make

1:34.9

monster films in our garage. He was a big fan of Ray Harryhausen and Willis O'Brien. So I was,

1:43.3

you know, immediately struck with the fascination of not just film, but the world creation.

1:50.0

And it was like magic to me at the time.

1:53.0

That led me into sort of creating the backgrounds for some of the stuff he was doing.

1:58.0

And that led to an 18-year career as a mat artist and

...

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