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Hit Parade | Music History and Music Trivia

A Little Love and Some Tenderness Edition Part 1

Hit Parade | Music History and Music Trivia

Slate Podcasts

Music, Music History, Music Commentary

4.82.1K Ratings

🗓️ 11 February 2023

⏱️ 54 minutes

🧾️ Download transcript

Summary

One of the most improbable blockbuster successes of the ’90s was Hootie and the Blowfish: a South Carolina bar band fronted by a Black lead singer that played jangly alt-pop. That singer, Darius Rucker, built a career that’s one of a kind. Rucker’s tastes growing up were eclectic, as were the influences on his young bandmates. Their Cracked Rear View album took a year to catch on, but then it dominated the charts. The story gets more interesting after Hootie fell off: Darius Rucker’s career is a prime example of how chart success is a product of musical trend. First, Rucker tried to become a neo-soul star. Then he tried his hand at country music, even though Nashville had not produced a major Black solo star since Charley Pride. Join Chris Molanphy as he traces this improbable journey—the role Rucker’s band played in mainstreaming alt-rock, Rucker’s effort to find a genre to call home, and how he finally became a chart-conqueror again.. Podcast production by Kevin Bendis. Make an impact this Black History Month by helping Macy’s on their mission to fund UNCF scholarships for HBCU students. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Hey there, Hit Parade listeners! What you're about to hear is part 1 of this episode.

0:06.8

Part 2 will arrive in your podcast feed at the end of the month. Would you like to hear

0:11.4

this episode all at once, the day it drops? Sign up for Slate Plus. It supports not only

0:17.8

this show, but all of Slate's acclaimed journalism and podcasts. Just go to Slate.com-Hit Parade

0:26.0

Plus. You'll get to hear every Hit Parade episode in full the day it arrives. Plus Hit Parade,

0:33.0

the bridge, our bonus episodes, with guest interviews, deeper dives on our episode topics,

0:39.4

and pop chart trivia. Once again, to join, that's Slate.com-Hit Parade Plus. Thanks, and

0:47.5

now, please enjoy part 1 of this Hit Parade episode.

1:01.5

Welcome to Hit Parade, a podcast of pop chart history from Slate magazine about the hits

1:07.9

from Coast to Coast. I'm Chris Mulanfee, chart analyst, pop critic, and writer of Slate's

1:13.6

Why Is This Song No. 1 series on today's show. 27 years ago, in February 1996, a former

1:23.0

college bar band from Columbia, South Carolina was performing this song on television, live

1:30.0

from the Shrine Auditorium in Los Angeles. The song was called I'm Going Home, but this

1:37.2

for some wasn't going home anytime soon. They were on the Grammy Awards, not only performing

1:44.7

a track from their 12 times platinum album, but also winning statuettes, including the

1:52.0

coveted Best New Artist Prize. They'd had an awfully good year.

2:07.2

Hoody and the Blowfish, a band formed at the University of South Carolina in the 1980s,

2:14.7

and fronted by a gifted vocalist named Darius Rucker, had succeeded beyond anyone's wildest

2:22.5

imaginations, their own Atlantic records, the A&R man who'd signed them to Atlantic,

2:30.7

and most especially, an army of 90s rock critics, who found Hoody's music mild, derivative,

2:38.8

and inexplicably popular.

2:50.4

Hoody and the Blowfish had the last laugh. The band not only had the top selling album

...

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