4.8 • 644 Ratings
🗓️ 1 June 2025
⏱️ 73 minutes
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0:00.0 | Hello, and welcome to Queer is Fiction, where we discuss queer media from around the world and throughout time. |
0:04.9 | I'm Jasmine. I'm Irene. I'm Alice. |
0:07.4 | And today we're discussing Sebastian Lelio's Academy Award-winning 2017 drama, A Fantastic Woman. |
0:20.6 | Before we get started, I'd like to acknowledge the Banuang Bruidwong people of the Kulin Nation |
0:24.9 | as the traditional owners of the land on which we record this podcast and pay respect to their elders past and present. |
0:30.6 | We recognize them as the custodians of an oral history tradition far older than this podcast. |
0:35.4 | We also have some content warnings for this episode. This |
0:38.0 | episode features discussion of brain aneurysms, death, the dead naming and misgendering |
0:42.5 | of a trans person, homophobia and transphobia, including violence from the community, medical |
0:47.5 | professionals and law enforcement, and sexual assault. If any of that sounds like something |
0:52.5 | you don't want to listen to, please check out our other content. I swear that most of my media episodes are not as heavy as this, and I saw |
0:58.7 | the TV glow. I feel like I say this every time, but this episode is going to be structured |
1:03.5 | a little differently to the usual queer as fiction episode. In this case, the reason is that |
1:07.5 | the release of this film and the awards it subsequently won, in particular, |
1:11.0 | the Academy Award for Best Foreign Language Film in early 2018, were a catalyst for real-world |
1:16.0 | political change in its country of origin, Chile, and it would be weird to discuss the film |
1:20.2 | without focusing heavily on that. But I do first want to discuss the film as a work in and of itself, |
1:25.3 | and to get your reactions to its content, because I do think it has merit as a work of fiction in and of itself before we get to |
1:30.5 | what it led to in the real world. |
1:33.2 | That's quite exciting, because, like, obviously, me and I really know what's in the movie, |
1:36.0 | but I don't know anything about this political side of things, and, like, I knew there |
1:39.3 | were political ramifications, but I didn't know it was something that could be like, you know, understood as real political change for trans people in Chile. |
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