945. Sebastian Smee

Otherppl with Brad Listi

Brad Listi

Books, Society & Culture, Arts

4.8 • 554 Ratings

🗓️ 5 November 2024

⏱️ 77 minutes

🔗️ Recording | iTunes | RSS

🧾️ Download transcript

Summary

Sebastian Smee is the author of Paris in Ruins: Love, War, and the Birth of Impressionism, available from W.W. Norton & Co. Smee is a Pulitzer Prize-winning art critic at the Washington Post and the author of The Art of Rivalry. Formerly the chief art critic at the Boston Globe and national art critic for the Australian, he has also written for the Daily Telegraph, Guardian, Financial Times, and the Independent, among other publications. He lives in Boston. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi’s email newsletter. Support the show on Patreon Merch Twitter Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:35.4	Hey, everybody.
0:36.5	Welcome to the show.
0:37.9	This is The Other People podcast, a weekly program featuring in-depth interviews with today's leading writers.
0:45.2	I'm Brad Listy.
0:46.2	I'm your host here in Los Angeles.
0:48.5	It's good to be with you.
0:50.1	I appreciate you tuning in.
0:52.2	And I hope you're doing okay, wherever you happen to be.
0:55.2	Don't forget to hit the subscribe button wherever you listen.
0:58.1	You can also subscribe on YouTube, follow me on social media, TikTok, Instagram, Twitter, and Blue Sky.
1:11.1	So my guest today is Sebastian Smee, art critic for the Washington Post, and the author of a new
1:19.5	book called Paris in Ruins, Love, War, and the Birth of Impressionism.
1:33.3	And, you know, the origins of impressionism and a move in this direction actually predate the terrible year.
1:35.0	You know, they're happening already in the late 1860s.
	...

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