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I am the EggPod

92: The Beatles Get Back: Day 17 - Julia Raeside

I am the EggPod

I am the EggPod

Arts, Performing Arts, Music, Music Commentary

4.8467 Ratings

🗓️ 26 January 2022

⏱️ 45 minutes

🧾️ Download transcript

Summary

Broadcaster Julia Raeside discusses day 17 of Peter Jackson's Get Back - Sunday 26th January 1969 - with Chris Shaw.

Transcript

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0:00.0

Hello and welcome to I am the Eggpods with me Chris Shaw.

0:25.5

Throughout January 2020, a popery of delicious guests are taking a jaunty stroll through

0:29.8

Peter Jackson's Get Back, day by day, every day on the day.

0:34.4

In this episode, it's a welcome return to broadcaster, writer and podcaster, Julia Rayside. Hello.

0:40.6

Hello. It's nice to see you again. It's been about, what is it, two years as we did our in-person

0:46.6

recording, longer than that, probably. It was a week before lockdown. God, it was, wasn't it? Yeah.

0:52.1

It was like the end of human contact as we know it.

0:55.1

It was. I think that was the last time I went to a pub. Yeah.

0:58.7

And we were surrounded by a load of drunk people. It was awful. You were really hung over. They were really drunk. It was like it was a bit dystopian. It wasn't like a lovely, happy way to leave society, was it?

1:09.8

It was a warning of what was to come. It was. So, get back.

1:15.8

Did it exceed your expectations? Did you have any expectations? Well, as you know, I live in a house

1:21.4

with someone who is much more invested in this than me. I love it. I love them. I was looking forward

1:27.4

to it. I was sort of coming from it,

1:30.5

I was coming to it from a point of view of being someone who really loves television and I will watch,

1:35.3

I will admit this now. This is not the thing to say on a Beatles podcast. Like I've never missed an

1:39.6

episode of Made in Chelsea. That's, I'm just going to say that and then you'll probably switch off or judge me as you will. But on the whole I sort of don't like constructive reality TV, but I like that one because

1:48.7

it's so constructed. And this didn't feel like watching Made in Chelsea obviously, but it did feel

1:53.5

constructed in a way. There were lots of reminders of, obviously, you know, it opens with that

1:58.9

the famous kind of um announcement of numerous editorial

2:02.9

choices which is kind of how they start any modern reality show now it's like this represents

2:08.0

reality some scenes have been constructive your entertainment it's like it's very um you know how they

2:12.2

pull up some of the audio and fade down some of the others and you're never quite sure if what you're

...

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