4.8 • 1K Ratings
🗓️ 28 April 2022
⏱️ 61 minutes
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0:00.0 | Hey, welcome to the screenwriting life. I'm Meg Lafour. And I'm L'Orian McKenna. |
0:05.0 | We are professional screenwriters. We've worked together as a team and separately. |
0:09.0 | We've worked on studio and indie films, live action, and animation, from my work on Inside Out and |
0:13.9 | Captain Marvel. To my work in Pixar Story Department on Up, Brave, and Inside Out. |
0:18.0 | We are here to share our insights on the craft of screenwriting and also the life. |
0:23.0 | Had a not only survive the ups and downs but thrive. |
0:26.0 | We want to help you become the best screenwriter you can be and to reassure you that you are not alone on this journey. |
0:32.0 | Hey guys, welcome back to the screenwriting life. |
0:34.4 | Today we're talking about analysis, paralysis, |
0:37.8 | or overthinking, or getting yourself unstuck. |
0:43.0 | The topic today came to us on a question from our Facebook page and it's something we suspect that every artist has dealt with at some point in their life. |
0:52.8 | And the questioner was Kendall, just a shout out to Kendall for this great question. |
0:57.2 | But before our topic, we're going to talk about our weeks for what we call |
1:01.8 | Adventures in screenwriting. |
1:03.6 | Lorian, how was your week? |
1:06.2 | My week was fine, great, so easy, nothing interesting happened. Work-wise, let's see, I am working on a pitch on some IP and when I delivered my take to the company that I'm working with. I kept it very high level in terms of character and I sort of made more of a suggestion of the pilot because I wanted to like here's my take of the world and what it's about and here the |
1:34.4 | characters and I didn't want to take like 25 minutes I just wanted to be like here's a |
1:38.9 | 12 minute pitch do you like this and so they were on board and then we're like, okay great, we need to know what the pilot is. |
1:45.6 | So I worked on the pilot this week and what I discovered, you know, I'm actually writing it, you know, you write, I'm outlining it and I'm very detailed and I |
1:54.4 | realized there were some ideas I had in the pitch that don't work so well when I'm |
1:59.0 | actually writing the pilot, you know, who a character is when they know what they know. |
2:03.2 | So I had a lot of fun trying it multiple different ways. |
... |
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