84. Nato Thompson (Artistic Director) – The Friendly Face
Think Again - a Big Think Podcast
Big Think / Panoply
4.6 • 594 Ratings
🗓️ 3 February 2017
⏱️ 50 minutes
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| 0:00.0 | Hey there, I'm Jason Gautz, and you're listening to Think Again, a Big Think podcast. |
| 0:09.0 | Started in 2008, Big Think is a kind of online think tank of big ideas from some of the most creative thinkers on the planet. |
| 0:17.0 | On the podcast, we revisit these ideas in new ways. |
| 0:20.0 | Our producers surprise me and my guests, with short interview clips from Big Things Archives, |
| 0:25.6 | ideas that we didn't come here expecting to discuss. |
| 0:28.6 | I'm very happy to be here today with Nate O Thompson. |
| 0:31.6 | He's the artistic director of Creative Time, which commissions and presents ambitious public art projects |
| 0:36.6 | with thousands of artists |
| 0:37.8 | throughout New York City, across the country, around the world, and now even in outer space. |
| 0:43.6 | They did Waiting for Godot in hard-hit New Orleans neighborhoods after the flood that I talked |
| 0:48.4 | about with actor Wendell Pierce on this show. |
| 0:52.0 | NATO's new book is called Culture as Weapon, the Art of Influence in Everyday |
| 0:55.9 | Life. Welcome to think again, Nato. Good to be here. So, yeah, let's start by what you mean |
| 1:01.7 | by the weaponization of art and culture. You basically begin the book by saying that art is now |
| 1:07.7 | ubiquitous and like it's everywhere we, you know, in every aspect of |
| 1:12.6 | our lives, but it's been weaponized as well. Can you talk a little bit about that? Sure. So, |
| 1:17.8 | I mean, it's funny because often when you say the word art, we still kind of, in our minds, |
| 1:24.2 | we think of paintings in the museums, or you think of a sculpture, maybe think of a video installation. |
| 1:29.3 | Right. |
| 1:30.3 | And I think classically, that is what we consider the visual arts. |
| 1:34.3 | But if you just kind of open your mind to the kind of tools that artists have been using, that is to say, visual representations, |
| 1:41.3 | or deploying, evoking materials to get us to feel a certain way. |
... |
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