4.8 • 1K Ratings
🗓️ 10 February 2022
⏱️ 55 minutes
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0:00.0 | Hey, welcome to the screenwriting life. I'm Meg Lafour. And I'm |
0:04.1 | L'Orian McKenna. We are professional screenwriters. We've worked together as a |
0:07.6 | team and separately. We've worked on studio and indie films, live action and |
0:11.4 | animation, from my work on Inside Out and |
0:13.9 | Captain Marvel. To my work in Pixar Story Department on Up, Brave, and Inside Out. |
0:18.8 | We are here to share our insights on the craft of screenwriting and also the life, |
0:23.5 | had to not only survive the ups and downs, but thrive. |
0:26.6 | We want to help you become the best screenwriter you can be |
0:29.1 | and to reassure you that you are not alone on this journey. Hey everyone, welcome back to the show. |
0:35.0 | Today we're chatting with a top literary manager, TV producer, and my manager, Charlie Gogolack. |
0:41.0 | After working as an exec for Oliver Stone, Charlie joined the production management company |
0:48.0 | Bender Spank where he was promoted to president within three and a half years. |
0:52.0 | In 2011, he co-founded Zophtic films with John |
0:55.5 | Riqua, Glenn Focara and with all three of them serving as EPs on a number of |
1:00.0 | projects including the Emmy winning mega hit this is us. |
1:07.3 | Charlie is joining us to discuss what it means to be a literary manager in |
1:10.9 | Hollywood today as well as a producer and how emerging writers should be curating their career to prepare for representation. We got some great questions from our listeners on the Facebook page |
1:23.0 | and we're really excited to have you here, Charlie, |
1:24.7 | thank you for coming. |
1:26.9 | Thank you all for having me. |
1:28.0 | It's a treat. |
1:29.7 | Well, I think we warned you that we start each podcast with our week. Are you up for this for sharing your week? |
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