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🗓️ 8 August 2022
⏱️ 5 minutes
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Today’s poem is Deep Learning by Ryann Stevenson.
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0:00.0 | I'm Adelimo and this is The Slowdown. |
0:18.9 | Something we don't often talk about is the strangeness of poetry. |
0:23.9 | How poetry makes room for the memories in the back of the brain. |
0:28.6 | It twists and turns and allows us to purposefully or not |
0:33.9 | misremember images and at the same time remember feelings with extreme clarity. |
0:42.6 | There is even the danger sometimes that as a writer we will become so beholden to the |
0:49.1 | good line, the vibrant image that we will write the poem and then forget the memory. |
0:56.5 | This has happened to me. |
0:58.0 | I've written a poem that conflates two or three memories and now I couldn't separate |
1:03.6 | them with a crowbar. |
1:05.7 | Did that actually happen or did I write a poem about it? |
1:11.2 | I sometimes hold onto something that matters to me so tightly that I won't let it near |
1:16.7 | my poetic impulses because I want it to remain true, to remain pure. |
1:23.5 | Or maybe it's too painful to see it transformed on the page into anything other than just |
1:31.1 | pain. |
1:32.8 | So I avoid the page. |
1:35.8 | Then there are times when poetry's ability to make room for strangeness is perfect for |
1:42.5 | the true but other worldly memories. |
1:46.6 | For example, once my mother and I walked along the shoreline thinking we saw a shark and |
1:53.0 | as we walked further we realized it was a seal and then we kept walking and realized |
1:59.2 | it was not a seal but a man wearing a wetsuit that had a protrusion like a shark. |
2:05.6 | First it was a shark, then it was a seal, then it was a man dressed like a shark. |
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