4.9 • 859 Ratings
🗓️ 18 December 2024
⏱️ 46 minutes
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0:00.0 | Let's move on to another category now, because this 94 is kind of a peak for certainly the initial wave of trip hop, trip hop music. |
0:30.6 | Partly the reason it's a peak is because Portishead's dummy came out this year, which I guess along with massiveive Attacks Blue Lines is kind of the year zero for at least the the archetypal textbook trip hop record. |
0:46.3 | Now I know for example that Jeff Barrow from Port his head would hate that the album would be even considered as a trip hop record. |
0:53.3 | But Jeff, I'm sorry, this is kind of like the defining, |
0:57.1 | it's almost the defining record for trip-pop. |
1:00.0 | It's that idea of taking elements of lo-fi, plundafonics, |
1:05.5 | it's sampling stuff from old spy records, |
1:08.2 | and that kind of cold, almost kind of distant femme fatale female voice over the top |
1:14.5 | and those old John Barry Ennio Morricone guitar lines. To me that's kind of what I think of as |
1:21.1 | the quintessential trip pop sound. And this is the quintessential trip pop record. And actually it's |
1:26.5 | probably my least favorite Portishead record. I think it's the one that's dated the most, partly because it's the one |
1:31.1 | that's been the most imitated. I love their third record. I think the third record is amazing, |
1:35.9 | but they were reaching for something else there. This record has been endlessly imitated. |
1:41.6 | To the point, actually, when I went back to listen to it for the purposes of |
1:45.2 | talking about it here, it didn't quite have the impact that I remember it having on me |
1:50.0 | at the time, which was massive. Which was massive. I'm going to queue up, Tim. So what's |
1:55.0 | your take on this? |
1:55.7 | You know, it's dark, cinematic, dramatic, and it was something that I think we were both immediately drawn to. It was a fresh sound, plus it had enough of things that we already liked. As Stephen alluded to, there was quite a lot of a John Barry influence, and I think they even sampled Barry in a couple of the pieces. I mean, I would argue that these ideas had been out there for a few years. |
2:19.2 | Even some early no-man tracks like Colors or Days in the Trees were operating in a relatively |
2:27.6 | similar territory with relatively similar influences, but they pulled it together and |
2:33.0 | they pulled it together brilliantly. |
2:38.8 | And we heard this probably a few months before it was released because our A&R man at the publishing company at the time was trying to sign them for the publishing company. |
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