Ah There's me.

There's me.

Hey, I'm on TV.

That's fun, huh?

Hey, everybody.

How's everybody doing?

Looking?

Lovecraft Country, no good. Oh yeah, baby, looking at the wide watch.

Lovecraft Country, no good, no good.

Very bad.

Obviously, first minute of it, there's CGI blood, thumbs down.

It's all CGI, so that's already, you have to get over a very large bar to just deal with it,

because you're a fucking genre show. I don't care if you have prestige trappings. You're a fucking genre show.

That means your effects have to be good. They have to be immersive. They're not,

but bye. But maybe they could have salvaged that if there was something on top of it that was

textually dense and interesting enough to make it worthwhile. But in my mind, any chance of that happening went out the window when a montage of

racial abuse in the 40s of white people being racist to black people as they travel across

the country was scored to a James Baldwin speech.

I believe his debate with Buckley, maybe, it might have been. I mean, for one thing, that's anachronistic, obviously. That happened much later

than the events of the film. Secondly, I mean, who are they imagining as watching this?

How small, how, what kind of guppy-brained children are

they pitching this to? Where they have to, it's like even though the text of every scene is

...