This murder was a savage crime.

From legendary director, Clint Eastwood.

I got calls for jury duty.

What's the problem?

Starring Nicholas Holt.

I hit something.

I figured it was a deer.

Tony Collette, J.K. Simmons, and Kiefer Sutherland.

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Maybe I didn't hit a deer.

Juror number two, in Cinemas Now.

Book tickets.

The Juror number two in Cinemas Now, book tickets. Hello and welcome to another episode of the album years with myself and my co-host, Mr. Timothy Boness. Good afternoon, Tim.

Hello.

And today we are venturing back into the 60s.

1967. Of course, what's the most significant thing about 1967, Tim? Oh, good grief. Let me think.

Could be that you're born in that year. I was just going to say, I hope you're bluffing and you were bluffing. So the most important thing about 1967 is it was the year I was born. That's right, folks. I'm old. But anyway, but obviously it was also a very significant year, musically speaking. In fact, one could argue, could one not, Tim, that this 1967 is kind of the year that the album is born. I mean, you know, obviously there was exceptions before that. We've

talked about, you know, those great concept records that Frank Sinatra made in the 50s and 60s.

But certainly in terms of the rock world, 67 is when it all kind of comes together, isn't it?

Yeah, I think it's when the album becomes something significant. And I think, as we said in the first podcast, weirdly, it's the biggest band in the world who also happened to be one of the most creative and best bands in the world, the Beatles. When they put out Sergeant Peppers, it's a complete album statement with the package, the music, the dynamics. They've thought about this and it seems to set the template for a lot

of rock from that point onwards. Right. And I think the thing to say is that they're not the

first to do it, are there? But they're the most visible people to, the most visible artists to do.

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